
MidsummerFolly
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It’s summer and it’s hot!
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take steps along a path toward discovering the regenerative existential cures to be found in plant dominated environments such as gardens and landscape.

MidsummerFolly
8 days til Tangier Gardens is FREE
It’s summer and it’s hot!
Need relief?
Get the FREE ebook Tangier Gardens, 11-15 August on Amazon. Pick it up!
Which photo has the treeline?


So, what is a tree line?
Well, Wikipedia can tell you; but the mountains I am looking at are in Switzerland so I’ll refer to the Department of Geography at the University of Zurich for the definition of a treeline.
A mountain treeline certainly is not a line in the common sense. The treeline is defined as the high elevation, climate driven limit of tree growth.
The treeline is the edge of the habitat at which trees are capable of growing. It is found at high elevations. Beyond the tree line, trees cannot tolerate the environmental conditions (usually cold temperatures, extreme snowpack, or associated lack of available moisture).
It is easy to get into the weeds discussing the geographical, botanical and topographical details of a treeline. Just look at the images above for a general idea and the graphic below for a summary.

But where does the mirror fit in?
A treeline is natural. It tells about interactions between ecotypes. And that makes me think. Is the treeline a vector or raster. Is it a thin line, a narrow path one pixel wide or is it a broad and wide line with varying gradients, blurs and opacities?
I think the latter. And looking in the mirror at treelines, I wonder…are human cultures like environmental ecotypes? Are they definable on their edges by lines? Raster or vector? Is diversity our strength…or our weakness…or is the effort to define cultural differences a non-sequitur?
***
In my book, Tangier Gardens, CJ faced incredible cultural challenges.
The Tangier gardens saved that young man from the relentless, brutal challenges issued by the northwest Africa landscape. It’s an intriguing story about culture, design and humans.
Lime or linden?
I don’t go out looking for trees–but when I’m out sometimes they call me.
This year the Tilia trees’ blossoms came earlier than normal. It was my olfactory pleasure. I could not say no. The fragrance captured me. It made me smile.
An online search of Tilia spp., their floral fragrance and their teas can keep you busy a whole day. Bottom line? Tilia fragrance and perfumes, Tilia fragrance and teas…a deep and mystical appreciation by all involved. No one can describe with absolute certainty what is the amazing fragrance. So, I’ll tell a personal story.
There is a time after the glorious spring greens that a summer tedium green takes over all deciduous trees. Tedium green? That’s the summer green that makes all deciduous trees look the same. They all fade into a dark green, amorphic background.
This morning it began. Mature foliage on all deciduous trees had grown full size and darkened. It was working–each leaf a mini-plant-factory taking in the glorious sunshine and the CO2 to assure their health and ours.
Here is what I found in town. Unannounced, the nearest Tilia tree–its fragrance descended upon me. The tree was already a physical landmark. I realized it was also a sociological landmark, a local center for relaxation–soothing away anxieties. Its fragrance does that.
In other parts of town, people were climbing into the lower Tilia branches where they collected flowers. They took them home for drying to produce homemade herb tea known for its calming pleasure.
Look for your closest Tilia or lime or linden.



***
When CJ went to study local landmarks in the Moroccan towns (medinas), he learned things about landscapes and gardens they didn’t teach at university. Check out Tangier Gardens for a good read.

Primrose joy in the mountains.
At 2,000 meters above sea level, in the northern range of the Swiss Alps, I rediscovered the spring joy I had experienced three weeks ago, albeit at 500 meters above sea level. The glory of walking mountainous landscapes.
This joy can be discovered anytime, anywhere.
This is a similar joy to that Christopher Janus experiences in the Mediterranean gardens and landscape of Tangier, Morocco. For CJ it was both muse and adversary.
That is the story of Tangier Gardens.
Walnuts and mustard, hearts are fluttered
Every farm, every pasture, often on the edge of town, in this Jungfrau region has a walnut tree, almost as ubiquitous as apple trees. That should tell you something about regional climate and history of local scale life and agriculture.

I can’t deny how much this scene enlivened me. And I can’t deny that I share that enlivenment with my character, CJ, in Tangier Gardens.
In Tangier Gardens, CJ discovers for the first time, the enlivenment emanating from plants. Unfortunately, the landscape about him, assaults him, challenges him. How do these opposing forces re-align CJ and his goals?
Please pick up a copy of Tangier Gardens and discover.


Is it new or is it always there?
Don’t we all feel joy at the unfurling of the leaves and flowers with the coming of spring?
What happens on that spring path through the forest?
What is that beauty to the eyes? In the air?
Does it emanate from the plants?
How does it make us feel better?
Take the walk. Find out for yourselves.
And it happened to CJ. In Tangier Gardens.
He describes it. Read about the joy.

Why is life never clearly black or white?
Geographic information science says life is raster and even if you make it vector, the closer you examine the more it becomes raster–so we do our best.
Can you see it on the images? Snow is white, forest is black. Where is the ‘snow line‘?


It is that time of year.
It’s here. There is no doubt.
What’s this?
It’s the autumn.
We don’t have those North American attention grabbing sugar maples or even their cousins around here.



I can not turn away from my evergreen source of inspiration. It is a landscape that continuously surprises me with its overwhelming awe, its raw power and a beauty that leaves me speechless —harmonic beauty. And it always makes me ask questions–about transportation infrastructure, water resources, land management. I love it. Refreshing it is.


Romantic landscape? Definitely. Evergreen inspiration. Evergreen succour.
I had to re-post this because it sings in my heart–source of evergreen inspiration.
Edelwyss-Starnen sing the last verse of Mys Alpli. High in the Berner Oberland, an alp is a field, a pasture, a productive piece of mountain land where animals can be grazed. Thus in the background of this you can hear the bells of the sheep, goats and cows. Available at itunes.apple.com/us/artist/jodelg…rnen/id329166348
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Mid July in the Berner Oberland Jungfrau Region–it is that time of year when the highest alps receive the animals for the ‘spring’ grasses.
I met a researcher in a Stubbe last week. He was researching linkages between humans and the landscape. He shared with me the following photos of yodelers.

Yodelers in the Jungfrau Region of the Berner Oberland in Switzerland–in the yodel, a human can hear and feel the landscape.

Yodelers demonstrate their respect for the landscape in all aspects of their lives–arts, crafts–and the richness of the detail recalls the richness of their feelings for the landscape. Stewards, custodians of the landscape–that is only the beginning in the Jungfrau Region of the Berner Oberland.
He noted that these yodelers are not hired professionals or foreign workers. They are humans whose families have lived in this landscape for centuries.
He posited that there are rootlets of some strange consistency that transcend the lifetimes of humans. Those rootlets, he said, were channels through which a music travels from the landscape through the voices of the yodelers.
Each verse of a song glorifies a different aspect of the relationship between humans and the landscape. And each chorus…well…the chorus is the landscape.