Aicha Qandicha

In my novel, Tangier Gardens, CJ completed his term abroad design study by assembling a series of short stories documenting his unusual Moroccan landscape interactions. This is one of his stories. This is not a fantasy. It was CJ’s real life in Tangier.

Wikipedia describes Aicha Qandicha as a female mythological figure in northern Moroccan folklore.

But this wasn’t exactly describing CJ’s experience. Here’s how he told it.

Part One: We all have one

After I had the cast put on my ankle, I was immobile. My design study had gotten lost in the fog. I was desperate. I needed help. That’s when the Goblet stories began their reveal.

I learned some very unexpected things about myself in Tangier. The most intriguing occurred in October when I engaged in a disciplined chocolate and absinthe meditational cleansing. The cleansing was gentle. It revealed itself through subtle changes, internal realizations.

One morning before sunrise, I had finished the chocolate and absinthe treatment and was sitting quietly in my rooftop terrace garden when I found myself engaged in the strangest bit of internal conversation. A voice spoke to me. That voice spoke from a strange part of my head, near the inner ear or thereabouts.

It said, “Hello, my name is Goblet. I am your chalice keeper. I can help you.”

I needed help.

That was the beginning of a friendship—a kind of crystal ball friendship. I don’t know how else to describe my relationship with Goblet—sometimes there, sometimes not there. I could never be sure. But it was all built around my sense of hearing. Goblet explained the background.

Goblet told me, “There was a time when there was no such thing as white noise. Hearing always has had many configurable adjustment bands that could consciously, subconsciously, voluntarily, or involuntarily filter for hearing improvement. Then, as time passed, as environments morphed adjustment mechanisms failed. White noise and all iterative variations made hearing via air outright painful.”

Goblet continued, “For certain important messages, in order to hear them without extreme and torturous pain, it became necessary to go underwater to hear. Then finally today, resulting from the hard filters, we have so many sounds that are not understandable. It is for our safety that our ears now have a hard fixed filter that limits the sound waves we can hear. The ears’ capacity is only 15% of its total capability.”

Goblet’s historical perspective intrigued me.

Goblet added more, “That hard filter is not the only ear filter. Each of us also has a secondary filter, an intelligent, discretionary filter that is known generically as a chalice keeper. A chalice keeper is an angel—a personality with a duty to protect and to clarify that which appears unknowable in life. Chalice keepers are sexless. They pass on knowledge untainted by human vices.”

Goblet paused, weighing my comprehension, then continued, “You may wonder what is the chalice? It is the low-level network of control that regulates passage and transformations via the sensitive, multi-dimensional connection gates, the ports, the portals between sound waves, the hardware of the ear itself and the neuron transfer of sound via the nervous system in the brain. That control also includes the essential connections to the pineal glad and to the seat of intelligence in the heart itself.”

Back in the US, my world normally was a din. But while in Tangier that din expanded into a multi-layer aggressive—a confusing labyrinth.

While I was asleep, Goblet moved quickly and directly to solve what was troubling me. Goblet always found the way. Goblet found the intended destination by keen hearing.

Every time I went to sleep, Goblet could detach himself from me. Goblet could travel to the places it could never travel with me because in hours of consciousness I functioned as a restraint, as Goblet’s governor. My world fit into the constraints of time and space, while Goblet was free of those constraints. I walk through the world in 85% ignorance of what is around me. Goblet witnesses everything and is there in particular to assist me, should I choose to listen in times of stress and danger.

Chalice keepers are why most of us have magic in our ears. Goblet is why there was magic in my ears. Our ears bring us magic. They suspend time; they suspend place. They control the ports, the portals of connection to all worlds, real or imagined. For me, Goblet was active and motivated because, as a designer, I was an explorer. Chalice keepers are especially keen to help explorers. Goblet helped me. Goblet was my pass to the .

Here is how I came to understand it. Human’s gross sense organs are all severely filtered. The sense organs are limited so that the confusion of continuously multiple inputs does not overwhelm the need to act. If the human sense organs are overwhelmed, the human may become paralyzed—a sort of analysis paralysis where too many new inputs are occurring too frequently to allow for intelligent discrimination.

Goblet filters these inputs for me. Goblet hears everything as it is. Then when I am under stress, uncertain, anxious, Goblet feeds, via sounds direct to the ear, or dreams, or thoughts or ideas, the data to facilitate my discriminating and decision making. Goblet does not decide. In essence, Goblet is like a data base. Goblet filters, then feeds data to me. Then I assess those data and, via free will, decide on my own course.

Goblet is not all knowing. Goblet goes out to gather information. When I am sleeping, Goblet does this. Goblet has limits to travel. Goblet must find and arrange material conveyances while problem solving for me. For transportation, Goblet communicates most regularly with dragonflies and storks. In the scheme of things, they have a duty to facilitate the required travel of chalice-keepers. They and the chalice keepers share knowledge and information without the constraints of time or space or language as we know it.

I was obviously under duress. My attempts to come to grips with the culture of Morocco, the street scene of Tangier, while simultaneously trying to reconfigure my design study caused me ceaseless stress. My goal had not changed. I still wanted to graduate and get on with my life in the professional world of landscape architecture. But my filters were clogged. Noise had weakened me. I had become a rebel without a clue.

Goblet definitely had work to do.

Part Two: In the bled Magrebi

Sometimes all needed was Goblet helping recall what I had slept through in history or geography classes—or books or stories that I had read.

Stork, known locally among his friends as Cico, pronounced seeco, knew he was on call; but he was comfortable sleeping in his nest on the top of an old column in Tangier’s La Montagne neighbourhood. He was on his winter vacation. He liked Morocco, quiet, drowsy kind of place—mild winters—early springs.

Cico was in a languorous daze. Pleasant, he was… then he heard his name being called… he thought, “It’s one of those chalice keepers… they are generally nice… but they have a knack of interrupting my sleep.”

Goblet was eager to get advantage of a large stork—traveling with a stork was almost like traveling first class on a commercial airline—large seats, lots of room, but better. Always a smooth flight; and thus easy to absorb information.

Cico responded, “Hello, who’s this and what’s this—a ride where?”

“My name is Goblet; and with your help I need to get out and into the countryside.”

“Countryside? I can get you there. Hop on. The countryside is pleasant at night.”

Goblet liked Cico’s helpful attitude and asked, “What’s it like here? Do you find it difficult? I was with Aeshna, the dragonfly recently, and we had a horrible intrusion by young humans.”

“No, it’s not bad down here—it’s like a winter vacation. But you can’t ever be sure about human youth. Most chalice keepers down here stay home. Most all the humans are content with their mosques and their mountains—but up north in Europe it’s different. Always dissatisfied, those Europeans—always seeking discoveries, answers. So it is hard work up there. Truth is most of the storks head south.”

Goblet preferred the storks—nice smooth rides—and soft smooth personalities. Not like the dragonflies—but oh, those dragonflies were colourful, beautiful, and riding them was exciting, fast…

“What are you looking for?”

“My master needs to get the aura of the countryside and its importance to humans here.”

“I can help; but first, can you tell me something about humans?”

“Sure, what is it?”

“Why is it that humans have such a hard time understanding the good and the bad at the same time? Why do they think that death is bad? Why do they not understand that life begets food for other life and that death is inevitable? I thought you chalice keepers were to help them with these big picture items?”

Goblet, noting the old tendency among storks toward verbosity, had to push gently to get a word in edge-wise. “Humans have this thing called hope and they must nourish it otherwise they have a tendency toward self destruction. Especially when lots of them congregate, they make swirling, massive interventions on the landscape.”

“Ok, we will sort out your master. Everyone counts—one by one. In the countryside, we should visit marabouts. They are filled with human historic endeavour to discover something better in this region.”

“Marabouts—in the countryside—tell me more.”

“The marabouts in the countryside, anywhere, can shelter both good and bad djinns—or either one, or the other… you never knew if no one told you or you had never visited—and over time they change. The bad ones mislead like a rascally boy, just happy to make a fool out of you. The good ones can part the cacophonic curtain of life, granting a visitor temporary peace or provide useful direction for the visitor’s life. Sometimes the same djinn can do either, depending on the attitude, the aura of the visitor.”

“Here’s one. This marabout has a mix of Christian, Moslem and Animist roots. Even so, Christians are not allowed, though some sneak in when no one is watching. This saint bestows barak, good luck on visitors who leave their fluss, their money, and promise to become in this world servants, instead of takers.”

Goblet looked about—looked ok on the inside—Goblet had brought my thoughts and set them on a ledge inside. Goblet and Cico sat still without talking—just listening, just feeling. Then Goblet felt a chill. Both simultaneously noted the creek just outside and downhill from the Marabout window.

Cico said, “There are all different djinns—friendly djinns, nice but dim djinns, confusing djinns, threatening djinns, and djinns ready to cause bodily harm—but a creek next to this Marabout…”

Goblet and Cico looked at each other–they both knew what that meant. Aicha Qandicha— powerful djinn in this part of Africa.

Cico said, “She is always about the sources of water–she can smell the men who are strong, who are saving themselves, who know restraint, austerity…”

Aicha Qandicha could smell that masculine strength from the thoughts, my thoughts which Goblet had set down at the Marabout.

Cico continued, “She attaches herself to strong men. She craves the challenge of undermining them. She knows how to distract men with her beauty and then confuse them.”

Goblet snatched up tightly my thoughts and motioned to Cico. They sped as quickly as they could, away from the creek, up high in the air, away from the humidity that marked the area of the Marabout and the creek, hoping to disconnect from any trail my thoughts may have left behind.

Goblet hoped that Aicha Qandicha would not follow my thoughts back to Tangier. Goblet knew that the last thing I, already redlining with uncertainty—the last thing I needed were attentions from Aicha Qandicha.

***

To read more about the Moroccan landscape, visit my Tangier Gardens book page on Amazon.

Black and white…forest and snow?

Why is life never clearly black or white?

Geographic information science says life is raster and even if you make it vector, the closer you examine the more it becomes raster–so we do our best.

Can you see it on the images? Snow is white, forest is black. Where is the ‘snow line‘?

From afar.
From up close.

Butterscotch–once again

It is that time of year.

It’s here. There is no doubt.

What’s this?

It’s the autumn.

We don’t have those North American attention grabbing sugar maples or even their cousins around here.

Rising out of the butterscotch sea. From the lower valley pastures to the mid mountain mixed deciduous and evergreen up to the near mountain summit pure coniferous forests. Autumn calls.
Some might say how drab! Yellows and browns. C’mon man.
But honestly…these yellows and browns in our landscape offer something more…a flavor…a sweetness. A pleasurable sweetness. A lasting enjoyment that comes…from a flavor to a taste…to become softly in our ear…a kind word. Extrasensual.
I like it–like a butterscotch candy…the flavor lasts and lasts.

Dancing

What is a nature prescription? Why do you need it? Political or health albatross around your neck? A walk out past the edge of town?…just like Dancing in the Moonlight. Take a break.

Should your ‘nature prescription’ be more like taking aspirin or Dancing in the Moonlight? Take a walk in a place like this–that’s a nature prescription. Aspirin? Dancing in the Moonlight? It’s both and more. You’ve got to go beyond the edge of town or village–outside that downtown buzz–and breathe deeply–let your walls down–open all your senses. And the portals will open.

What’s missing here?

How can I get free of this stinking political and health fear-stuffed albatross?

Suppose this page is about you…and suppose you are wound up tighter than a drum by the tension of world wide and local politics and health. This page is your wayfinder.

THE PURPOSE OF THE BLOG AND ALL MY WRITING is to assist you the visitor to begin taking steps along a path toward discovering the regenerative existential cures to be freely found in plants, gardens and the landscape.

THE FIRST STEP is what could be called ‘nature prescriptions’–calibrated doses of time outside. Take a walk. But does the walk heal? What actually happens?  What is on the path that takes you on a journey? Where do landscape journeys take you?

And why even take that path and that journey?

A walk, a journey just for the landscape?–heh, I know what you are thinking–we all know what landscape is, right? Same old, same old, right?

flahertylandscape contends it is more–consider this:

The landscape can be a private cocoon to rest the restless.

On the walk you may weave dreams full of surprise and delight yielding true moments of repose.

It can be a journey to unwind, to regenerate, to reconnect with inner peace, to nest away from the daily hustle and bustle.

What’s missing from this photo? If you want to take that first regenerative walk on a landscape journey, here is what should be missing. Mobile, and any digital intrusion, mechanical noise from the city, from autos, any miscellaneous connectivity kit–that’s right don’t bring modern noise with you. Missing out all th is an essential part of your nature prescription.

Seasons change…and so do I

I am embedded in a landscape that has moved from spring into the definites of summer. The basics and the speed of spring growth have finished. For some, the hazy sameness of summer signals the onset of boredom.

Nope, not for me.

Clouds change like the seasons, too slowly to easily see.

Clouds? Where?
Because cloud speed is so slow, people use time lapse to see their beauty, their magical forming and reforming. But–science aside, gaia aside–where do they come from? How do mists turn into clouds? And the mists–here they are…here they aren’t.

And that is how the flahertylandscape blog is changing–slowly.

I set up this web site to talk about the landscape. Since 2013, most of the posts encourage the reader to interact with the landscape, its gardens and plants.

This blog also includes a section on landscape architecture, my profession.

And I have also included a section entitled landscape stories

I wanted to write landscape stories spurred by my own career in landscape architecture to give to students some insights into what they might find in their careers. 

Goes back to my university education where I found the most interesting and valuable courses to be a series of 2 week summer courses taught by private sector landscape architects. Why? Real world projects had a resonance that was absent from typical class room assignments.

Situations in post graduation offices taught lessons never addressed at university. 

So I wanted to provide that resonance and reality for students still in university. You might ask, why don’t you teach? My response? Teach?!! Different animal–designing and getting a project built–that’s what I can share…and then there is the small item of my stroke four years ago. Isolated now. Don’t do crowds well. Don’t multi-task. Don’t do tit for tat speed–so I write.

Now I am getting to my seasons change title.

I will be gradually modifying this blog as I get closer to the ARC of my debut novel, Tangier Gardens, the first in the series, The Landscape Architect–fictional autobiographical stories that track the strange twists and turns in the life of a landscape architect who is committed to professional career practice. ARC? Advance Review Copy–working on this now.

Over the next six months, I will track the ARC, the pre-publication and the launch. All will happen and be accommodated on this blog.

But I also have a presence on YouTube which features the many years I lived and worked in the Arabian Peninsula. It has been years since I dug into the Empty Quarter–that place in SW Asia around which a lot of my professional career as a landscape architect revolved. You wonder about that landscape? Here is a taste. Follow the links embedded in each photo.

Dates mean water and life. A chance for existence in the Empty ‘of life’ Quarter.
In the life cycle of dates, beauty can be found in many seasons in many ways.

Up the valley

I am a naive midwestern American kind of guy–born and raised in the suburbs of Detroit, Chicago, Cleveland–not really urban, not really rural. Farming has always been a mystery to this outsider. 

I had a view the other morning across the Brienzersee (+/-564meters above sea level). I could see that it was the time that farmers were making the first cut of pasture hay. Notice the yellow and brown patches which have just been cut . Adjacent to the yellow and brown are fully green pastures that have not been cut. Better seen in the following enlargements.
Note the fields just above the village. This is a mountain lake–the lake is a valley floor. The valley feels like an open bowl.
Hay pastures in the Berner Oberland Jungfrau Region of the Swiss Alps in late spring.
So, in the valley across the way, at about 560 meters above sea level, the first seasonal cutting of the pasture hay has begun.

Everything I encounter in this agricultural mountain landscape…naively captivates me.

Around my own home the first haycuts are already underway–there is the fragrance of a freshly cut lawn–we all have that familiar smell but the smell of freshly cut pasture hay? We had a couple good rains in May–all pastures were rich with grasses and wild flowers–the wild flowers went to seed first then the grasses–and as the grasses were going to seed in the first days of June we had a spell of sunny warm weather.

All the farmers down here at the valley bottom were out cutting their pastures. Fragrance at daytime and night time. They let the cut hay dry in the open fields for a couple days before binding it for later use as feed.

Before the cut.
The cut.
Cut and drying.
Bailed.

What does that have to do with ‘Up the valley’?

Well, everything in my topographical homeland was flat. Topography and its impact on life in the mountain landscape intrigues me. So, I took a walk up the valley–up the Lutschine River valley to a village named Gundlischwand (+/- 660 meters above sea level). That means uphill 100 meters–doesn’t sound like much does it? Couldn’t be further–amazing walk–here’s what happened. The valley changed. The topography changed. The plants changed.

The valley narrows. The mountains steepen. The walk not too strenuous at all–suitable for a suburban midwest American like me.
I love seeing how trees can make their home on the steepest of cliffs and the narrowest of flat ledges. They know how to adapt. Adapt.

I was going back in time.

In the mountains spring comes first at the low valley elevations. Then by the time spring comes to the higher elevations it is normally not days but weeks later. 

So when I walked up the valley I was walking back in time. Climatically speaking.

The price of admission?

A stuffy nose, a couple sneezes and a runny nose–all in sequence.

It took me 1/2 hour to walk the next 100 meters.

This is the edge of pasture some time before the haycut. 100 meters above where the haycut is occurring.
The wild flowers beckoned me.
Wild flowers well ahead of the grasses. Seed time not yet.
I was on a journey.
Finally, I arrived at Gundlischwand.
A village in an agricultural landscape in the mountains–mountains? Jungfrau Region, Berner Oberland, Swiss Alps.
Apple and walnut trees always close to the doorstep and kitchen.
Not far from the edge of town…a footpath into the dark forest…

But that will be a journey for another day.

Wilderswil

Part of what keeps me going into the landscape every day is how the people in the local towns and in their agriculture integrate at the smallest scale into the larger landscape. Wilderswil is an excellent example.

From my place I took two busses and in 10 minutes I was in Wilderswil Dorf–the center of the village.

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The Bears Hotel in the center of Wilderswil–this is downtown in the village. 2,700 people live in Wilderswil which is part of the Interlaken agglomeration(24,000 pop.).

After 5 more minutes walk I was at the edge of the village on a pedestrian path known in the local dialect as a wanderweg–a way for wandering through the landscape–journeys to the unknown.

ForestJourney

Wandering along a wanderweg.

After 15 minutes in thick mixed forest, a view of the larger landscape opened before me.

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The small scale agriculture sits at the base of steep forested mountains.

SmallScalein the Mountains

The valley floor is pasture for smaller agricultural holdings. The forest begins where the slope becomes too steep for pasture.

The small scale agriculture comes right to the edge of town.

Edge of Town

This is the kind of diversity that comes from hard work and returns healthy people.

The town people use every imaginable way to bring practical plants, gardens and small scale agriculture right to their doorstep.

Integrating

These are typical throughout the village–the owners encourage nature right up to their front door.

This last black and white photo, taken in 1952, shows Wilderswil at the mouth of the Saxeten Valley and river. This valley, while never gaining the reputation of the Lauterbrunnen and Grindelwald Valleys, has undeniable drama and magnificent landscape setting. These are the Berner Oberland.

1952

By Werner Friedli – This image is from the collection of the ETH-Bibliothek and has been published on Wikimedia Commons as part of a cooperation with Wikimedia CH. Corrections and additional information are welcome., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=59858775

Walnuts and apples

I’ve been scruffing through the local edge of town landscape, taking a soft pleasure in the unrolling of spring when…

…a couple trees seemed to be everywhere. Everywhere. Every farm barn, every hay barn, every pasture…so I grabbed a couple photos.

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About two weeks ago the light sweetness of the apple blossom filled the air around each tree. Undeniably magnetic.

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Like the walnut trees, these apple trees are everywhere.

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The bronziness of walnut tree spring foliage carries the promise. This is a region where dark walnut wood has been used traditionally for carvings like Brienz boxes and bears. But for me, it is about bakery treats.

So, it wasn’t long before I was thinking about what can be found in the bakeries every fall and winter–after the walnuts and apples ripen. Add cinnamon, sugar, pastry with just the correct amount of baking.

Fresh, warm walnut and apple bakery, the only thing that tops springtime apple blossom fragrance.

Exotic

Nigh onto 10 years ago I had just finished 25 years building gardens and landscapes in the Arabian Sands. The Sands were my life. 

But be sure about this…the Sands are more than sand. 

To reflect the huge unknowns of the Sands, my blog banner became part of the enigma of the Sands. Exotic for a Midwestern American, you bet. But exotic is a 25cent tourism marketing adjective. The Sands are not.

Ten years have passed. I live in another exotic landscape, this time a mountain landscape. Ten years of explorations in this new landscape have enthralled me, so I am updating the blog banner.

Exotic? Borders on magic realism, neo-romanticism and eco-gothic. They are all alive and well in exotic landscapes. as are rarely predictable and always inspiring plants and gardens. Just take a walk, open your eyes and ears. Listen, feel, see, discover.

WP19Apr2017r

Old banner–the sands–always an enigma–sun but no soil or water.

flahertylandscape2021Update

New banner–the plentitude of soil and water.