Genres? Nature and Weird Fiction

I am on a hunt.

For genre, for references.

You all know I write about landscape. In my own words, landscape that takes you to the foggy edge where normal transforms into paranormal.

I have only one writer who inspired me–Algernon Blackwood. He showed respect for the observable landscape. He also felt another side of landscape–its power. Its indefinable power that, in a fleeting second, can overwhelm.

I don’t copy him. But my experience in the landscape is similar. Tangier Gardens is about a young man just making his first discoveries beyond the foggy edge of normal. Nature is like that–if you let it.

If we look at nature, in a traditional sense, we see it as a source of human inspiration.

What about landscape? Landscape is the canvas upon which nature sits.

What about landscape architecture? Now that is confusing. It is a modern profession, that in my opinion, mistakenly moves natural elements around, often losing the traditional inspirational quality of nature. Failure.

So, in Tangier Gardens, the young man, CJ, tries to find how he, as a student of landscape architecture, can impart the inspiration of nature into his landscape design. Difficult. Tons of adminstrative regulations that bind nature into some kind of measurable pop experience. Not fun or helpful.

So I turn to a Algernon Blackwood aficionado, Eugene Thacker, who writes about Blackwood’s approach to nature and landscape:

If we are to call Blackwood a naturalist, then we must do so with caution, for his sublime awe before the mysteries of nature is always coupled with an acute awareness of the indifference of what we dutifully tag as “nature.” His novella, “The Willows”, suggests something different. Perhaps what we call the “supernatural” is simply the nature either we don’t see or don’t comprehend. It is the site of myth, religion, metaphysics—and perhaps of science as well. The strangest or “weirdest” understanding of nature is given to us not from ancient superstitions but from modern science. Perhaps the natural is supernatural, and vice-versa.

https://lithub.com/how-algernon-blackwood-turned-nature-into-sublime-horror/

If you would like to see my take on nature via the landscape, read Tangier Gardens.

Tangier Gardens ebook is FREE TODAY. Get it!!!

And if you know of contemporary authors in the same vein, please include them in your comment.

And lastly genre: after you have read Tangier Gardens, tell me what genre you think it fits.

Almonds and wild flowers

The landscape of Tangier Gardens

This almond orchard grows in Morocco. Soils are rich and because of hydroelectric dams, water for agriculture is plentiful north of the Middle Atlas.

This landscape attracted CJ; but the landscape gave root to elements that undid CJ.

Read about how he reacted to these landscape challenges in Tangier Gardens

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Tangier riad?

This is a Tangier medina riad.

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A small courtyard garden, as we in the USA would say. A garden surrounded by the house–your home.

In CJ’s view, it is an excellent, safe and intimate space to get close to plants.

Traditionally it is a practical place for edible plants, medicinal plants, fragrant plants, beautiful plants–and it doesn’t require much water. What’s wrong with that?

Want to learn more about CJ’s discoveries in Tangier riads?

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Weaving culture with horticulture…

That is the beginning of the arcane magic that instructors introduce to students of landscape architecture.

But what happens when those students emerge into our contemporary real life dystopic world?

That is indeed what I wrote about in Tangier Gardens

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Treeline in the mirror

Which photo has the treeline?

1. No treeline, the mountain is not high enough.
2. Treeline, the line above which trees no longer grow.

So, what is a tree line?

Well, Wikipedia can tell you; but the mountains I am looking at are in Switzerland so I’ll refer to the Department of Geography at the University of Zurich for the definition of a treeline.

A mountain treeline certainly is not a line in the common sense. The treeline is defined as the high elevation, climate driven limit of tree growth.

The treeline is the edge of the habitat at which trees are capable of growing. It is found at high elevations. Beyond the tree line, trees cannot tolerate the environmental conditions (usually cold temperatures, extreme snowpack, or associated lack of available moisture).

It is easy to get into the weeds discussing the geographical, botanical and topographical details of a treeline. Just look at the images above for a general idea and the graphic below for a summary.

Mountain treeline explained

But where does the mirror fit in?

A treeline is natural. It tells about interactions between ecotypes. And that makes me think. Is the treeline a vector or raster. Is it a thin line, a narrow path one pixel wide or is it a broad and wide line with varying gradients, blurs and opacities?

I think the latter. And looking in the mirror at treelines, I wonder…are human cultures like environmental ecotypes? Are they definable on their edges by lines? Raster or vector? Is diversity our strength…or our weakness…or is the effort to define cultural differences a non-sequitur?

***

In my book, Tangier Gardens, CJ faced incredible cultural challenges.

The Tangier gardens saved that young man from the relentless, brutal challenges issued by the northwest Africa landscape. It’s an intriguing story about culture, design and humans. 

Give it a go.