take steps along a path toward discovering the regenerative existential cures to be found in plant dominated environments such as gardens and landscape.
Primrose joy in the mountains.
At 2,000 meters above sea level, in the northern range of the Swiss Alps, I rediscovered the spring joy I had experienced three weeks ago, albeit at 500 meters above sea level. The glory of walking mountainous landscapes.
This joy can be discovered anytime, anywhere.
This is a similar joy to that Christopher Janus experiences in the Mediterranean gardens and landscape of Tangier, Morocco. For CJ it was both muse and adversary.
That is the story of Tangier Gardens.
Walnuts and mustard, hearts are fluttered
Every farm, every pasture, often on the edge of town, in this Jungfrau region has a walnut tree, almost as ubiquitous as apple trees. That should tell you something about regional climate and history of local scale life and agriculture.
I can’t deny how much this scene enlivened me. And I can’t deny that I share that enlivenment with my character, CJ, in Tangier Gardens.
In Tangier Gardens, CJ discovers for the first time, the enlivenment emanating from plants. Unfortunately, the landscape about him, assaults him, challenges him. How do these opposing forces re-align CJ and his goals?
Please pick up a copy of Tangier Gardens and discover.
Is it new or is it always there?
Don’t we all feel joy at the unfurling of the leaves and flowers with the coming of spring?
What happens on that spring path through the forest?
What is that beauty to the eyes? In the air?
Does it emanate from the plants?
How does it make us feel better?
Take the walk. Find out for yourselves.
And it happened to CJ. In Tangier Gardens.
He describes it. Read about the joy.
Why is life never clearly black or white?
Geographic information science says life is raster and even if you make it vector, the closer you examine the more it becomes raster–so we do our best.
Can you see it on the images? Snow is white, forest is black. Where is the ‘snow line‘?
It is that time of year.
It’s here. There is no doubt.
What’s this?
It’s the autumn.
We don’t have those North American attention grabbing sugar maples or even their cousins around here.
I can not turn away from my evergreen source of inspiration. It is a landscape that continuously surprises me with its overwhelming awe, its raw power and a beauty that leaves me speechless —harmonic beauty. And it always makes me ask questions–about transportation infrastructure, water resources, land management. I love it. Refreshing it is.
Romantic landscape? Definitely. Evergreen inspiration. Evergreen succour.
I had to re-post this because it sings in my heart–source of evergreen inspiration.
Edelwyss-Starnen sing the last verse of Mys Alpli. High in the Berner Oberland, an alp is a field, a pasture, a productive piece of mountain land where animals can be grazed. Thus in the background of this you can hear the bells of the sheep, goats and cows. Available at itunes.apple.com/us/artist/jodelg…rnen/id329166348
[soundcloud url=”https://api.soundcloud.com/tracks/217597274″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”250″ iframe=”true” /]
Mid July in the Berner Oberland Jungfrau Region–it is that time of year when the highest alps receive the animals for the ‘spring’ grasses.
I met a researcher in a Stubbe last week. He was researching linkages between humans and the landscape. He shared with me the following photos of yodelers.
Yodelers in the Jungfrau Region of the Berner Oberland in Switzerland–in the yodel, a human can hear and feel the landscape.
Yodelers demonstrate their respect for the landscape in all aspects of their lives–arts, crafts–and the richness of the detail recalls the richness of their feelings for the landscape. Stewards, custodians of the landscape–that is only the beginning in the Jungfrau Region of the Berner Oberland.
He noted that these yodelers are not hired professionals or foreign workers. They are humans whose families have lived in this landscape for centuries.
He posited that there are rootlets of some strange consistency that transcend the lifetimes of humans. Those rootlets, he said, were channels through which a music travels from the landscape through the voices of the yodelers.
Each verse of a song glorifies a different aspect of the relationship between humans and the landscape. And each chorus…well…the chorus is the landscape.
Christopher Janus, CJ, had visited Morocco once with his mom when he was only seven–he had memories. He remembered sun and fun. Now nearly two decades later he, studying landscape architecture at university, was planning a design study term abroad. This, however was to become a different journey. The Moroccan tourism advertising was for sun and fun. That’s what he hoped for.
He had been six years full time at university. He needed a break. Sun and fun on the Mediterranean in Morocco? Great Moroccan markets in the pedestrian-only medinas? What was not to like?
When CJ crossed the Strait of Gibraltar and arrived in Tangier, the cultural complexity…the mists of cultural history…the cultural reality fog overwhelmed him. His carefully planned design study disappeared into a thickly uncertain maze. In this journey, he was blinded. He couldn’t find any portals.
His attempts to work through that maze is the basis for my upcoming novel, Tangier Gardens.
…for millennia…Tangier has been a nexus of Mediterranean, African and European cultures…a classic melting pot that is still on the boil.
Readers…by now you know that my blog, flahertylandscape, is all about plants and people–landscape journeys. Sounds fair and safe enough; but what I am about to share with you goes beyond strange.
Anyone who has worked in a garden–suffered blisters and callouses in a garden for fruit, vegetables, flowers, medicine–knows there is something more in those gardens. This is for you.
A short while ago, I prepared to record the revised draft of one of my novels to perform a sentence by sentence development edit. To my surprise, as I set up a folder for the audio, I found an old 30minute .aif file entitled Chocolate Gardens.
The Chocolate Gardens tells the story of a Tangier, Morocco garden, as recorded by Christopher (CJ) two decades ago. In order to visit the garden he was required by the garden’s owners, a Brit and a Ruskie, to undergo a special ordeal of chocolate and absinthe before walking at sunset in the garden. CJ first had to visit the land of the green fairies before he could enter their Oval Garden. This is that story.
I have attached a link to a 30 min. SoundCloud file that tells that story from the early days, back when I was developing the beta version. I am moving this story forward as Tangier Gardens–out of the classroom into real life…via plant portals. Click on the SoundCloud link immediately below and listen to Christopher tell his story. [soundcloud url=”https://api.soundcloud.com/tracks/235419640″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”100″ iframe=”true” /]
…but the deeper Christopher (CJ) digs into Tangier, the stranger it becomes. He can’t tell one portal from another. Entangled almost beyond hope, he walks the Oval Garden at the Hibiscus House. His way out…his way home?
This is in part a freshly edited re-post of a 2015 post I made, entitled Chocolate, Gardens and Magic, which if I might say so, was well illustrated with Art Nouveau graphics. There you can read Christopher’s Tangier garden story–his journey in search of portals.
What is a nature prescription? Why do you need it? Political or health albatross around your neck? A walk out past the edge of town?…just like Dancing in the Moonlight. Take a break.
