Part of what keeps me going into the landscape every day is how the people in the local towns and in their agriculture integrate at the smallest scale into the larger landscape. Wilderswil is an excellent example.
From my place I took two busses and in 10 minutes I was in Wilderswil Dorf–the center of the village.
The Bears Hotel in the center of Wilderswil–this is downtown in the village. 2,700 people live in Wilderswil which is part of the Interlaken agglomeration(24,000 pop.).
After 5 more minutes walk I was at the edge of the village on a pedestrian path known in the local dialect as a wanderweg–a way for wandering through the landscape–journeys to the unknown.
Wandering along a wanderweg.
After 15 minutes in thickmixed forest, a view of the larger landscape opened before me.
The small scale agriculture sits at the base of steep forested mountains.
The valley floor is pasture for smaller agricultural holdings. The forest begins where the slope becomes too steep for pasture.
The small scale agriculture comes right to the edge of town.
This is the kind of diversity that comes from hard work and returns healthy people.
The town people use every imaginable way to bring practical plants, gardens and small scale agriculture right to their doorstep.
These are typical throughout the village–the owners encourage nature right up to their front door.
This last black and white photo, taken in 1952, shows Wilderswil at the mouth of the Saxeten Valley and river. This valley, while never gaining the reputation of the Lauterbrunnen and Grindelwald Valleys, has undeniable drama and magnificent landscape setting. These are the Berner Oberland.
By Werner Friedli – This image is from the collection of the ETH-Bibliothek and has been published on Wikimedia Commons as part of a cooperation with Wikimedia CH. Corrections and additional information are welcome., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=59858775
Not so long ago, I participated in a survey by an American specialist in landscape visualization. The survey focussed on the inclusion of visual utility infrastructure as it is built through the landscape.
At the close of the survey a question was asked for each to identify the ideal image of landscape visualization. Well, it would have been easy to say–landscape without any infrastructure visual intrusion would have been my preference.
Could not do that. But I did add that since humans had been living with and using the landscape as long as written history, the ideal landscape image should include successful use, accomodation and management of the landscape.
Just recently, I found a photogenic example that expressed my ideal. The images follow below.
This foreground field, occurring at the confluence of three mountain valleys and two mountain lakes, was for decades a central air field for national self-defence. When that defence was transferred from props to jets, the airfield became community pasture and recreation for 25,000 local people. The red circle, enlarged in the image below, shows how well major electrical infrastructure has been brought through the adjacent forest.
This is an enlargement of the red circle shown in the above image.I should note that this landscape, incredibly photogenic, is regularly photographed by me in all seasons. And despite the well camouflaged electrical power line infrastructure, I always try to frame my photos without any visible infrastructure. We put up with that infrastructure to ameliorate climate, daylight and communications. That is our way of life.
As I observe old age taking interest in my body, it shades my observations of the landscape.
This apple tree is also under the influence of old age; yet it has retained a balance even though having experienced extreme events during its lifetime. Everybody struggles through life. But how to achieve balance? That is a mystery. Faith? Hope?
What are landrace clouds? I made it up. Combination of words to describe the reality of cloud appearance in my neighborhood.
My neighborhood. According to the Swiss National Meteorological office, my Swiss neighborhood is the Northern Alps, the north facing slopes of the northernmost range of Alps in Switzerland. Using more common tourist and environmentally friendly vocabulary, my neighborhood is in the Jungfrau Region of the Berner Oberland around Interlaken. I live in the north-facing drainage basin of the famous Eiger, Monch and Jungfrau mountain triumvirate.
Now all that aside, over my years of walking this neighborhood, I have noticed that barely observable, minimal fluctuations in temperature, humidity, pressure and wind create quite dramatic formation and dissolution of very low level clouds. Please do not confuse them with fog. For a patient viewer, a dance reveals itself. And where there is dance, there is music. Not in astronomical time, but in real time. See it. Feel it. Hear it.
Unmistakeable to a person on foot.
So for me, landrace clouds are very specific, locally generated occurrences. That is my starting point. That is real. Then the fiction begins. I call it fiction because of the reality that what we call ‘fixed’ or ‘settled’ science is not really fixed or settled or permanent. I like working and writing on the edge of the fixed because every edge is fuzzy and invites exploration, as do these landrace cloud phenomena.
I ask myself, what really happens at the point where a cloud begins its formation in touch with the earth? My response is a bit alchemical, a bit old school. I theorise that point as the interaction of earth, air, water…kind of special already, no? But what about ether? What happens at the moment of generation and the final moment of dissolution?
So, I go hunting in my neighborhood for generation points of landrace clouds. Following are eleven images from recent forays.
1. Here is a generic shot of clouds in my neighborhood. Note the lake(water), the mountains(earth) and the sky(air). Note the cloud varieties.Anybody sense the presence of ethereal?
2. Here is a closer view showing certain cloud interactions with the earth.
3. In this partially zoomed view, note the implied dynamics of the landrace cloud edges.
4. In this zoomed view it is clear to see the scale of the landscape and the recently generated landrace cloud.
5. And now the landrace cloud hunt begins–first person–on the ground–in your face.
6. I learned the landrace cloud dynamics first hand. They always move. Their edges always change. The harder I looked, the further away they were.
7. On another day, I learned that if I just stood still long enough, the landrace clouds came to me. But on this day no such luck.
8. Without the opportunity to be at the point of cloud generation, I had so satisfy the walk by appreciating such details as here.
9. Spring wild flowers in Alp pastures never cease to amaze.
10. But as I was looking for the landrace cloud points of generation, I saw this hut at the edge of the forest.
11. And at the peak of the roof,protecting this hut, was…
All of the above represent a ‘typical’ walk in my neighborhood. And that is why fiction is just too close to fact.
At 600 meters above sea level, early May in the Bernese Highlands, grassland pastures are full with first wild flowers. Imagine in the air, the fragrance of fresh green pasture spring.
Oscar Hammerstein II, said that in the 1950s when he wrote the lyrics for the musical, The Sound of Music.
The title song has these simple lyrics. “The hills are alive.” Think about it. The hills are alive…with what?
He wrote, “with the sound of music.”
No, not the music written by Richard Rodgers…but their own music. “The songs they have sung for thousands of years.”
Think about that because that is what anyone can feel when they visit these hills. These hills are alive with the sound of music. These hills will let you ride on the sound of their music. It is real.