AREN’T WE ALL LOOKING FOR INSPIRATION?

The inspiration that enables us to reach our goals and higher?

Tolkien started a walk that changed his life and our lives.

In 1911, when John Ronald Reuel Tolkien was 19, he travelled on foot from Interlaken to Zermatt with a group of 11 companions, and saw the Lauterbrunnen waterfalls, the Swiss Alpine peaks and the Aletsch glacier, all of which were reproduced in his own drawings in his books.

But what really started his creative fire? And what could start your creative fire?

It can’t be a package tour itinerary, can it?

It can’t be a must see bucket list can it?

If it isn’t the overwhelming beauty of the landscape.

If it isn’t the peaceful quiet of the landscape.

If it isn’t the rich bounty of the landscape.

Then what is it?

All the senses at once consumed—the path to the pineal—and then what? Inspired? How did that happen? not photos, not movies, not virtual reality—but in real life something happened to Tolkien and something can happen to any of us.

Then what was, what is it? Not only was it what he saw. But he felt something—something that inspired him to a masterful effort. We can all see it; but just seeing is not enough.

We can access that spark—but the process is mysterious. How to find that door of inspiration in the landscape—that portal to exceptional effort, exceptional achievement.

Some say the harder we look the more difficult to encounter the reveal. The reveal that refreshes.

In Tangier Gardens, protagonist CJ defined that moment of inspiration in the garden, in the landscape as a portal. A portal.

I am certain Tolkien crossed a portal in the Jungfrau landscape. After which he was never the same. He took the portal experience and over years elaborated on it and shared it through his books and illustrations.

That originating experience remains in these Jungfrau Region mountain landscapes—but not everyone finds that magic portal. Some say it is the work of the pineal gland.

Drive it? Fly it? Take the train? Ride a bike?

Walk it. In the quiet of walk the portal may more easily reveal itself. When that light shines, there is no mistaking it. Can’t be seen, can’t be heard; but communication happens—like instant trance—beyond meditation.

Read how CJ discovers portals in Tangier Gardens. Find the portals for yourself.

Take your part in one of life’s greatest mysteries.

Credits:

Multimedia–Apple Music, Photos, Motion; Affinity Photo; Wonderdraft.

Photos–by author.

Music–C418-Minecraft-Volume Alpha by permission.

3D Map of Jungfrau Region by permission

CJ needs help, where can he find it?

PLANT PORTALS

Who is CJ?

He is the protagonist in the series, The Landscape Architect.

The Landscape Architect is the title of a series of fictional autobiographies. These are CJ’s autobiographies. In this series, CJ reveals the twists and turns in the development of his career as a professional landscape architect via his interactions with cultures, landscapes, gardens and plants of the world—where the unexpected and downright strange become daily facts of life.

Tangier Gardens is the debut novel in that series.

When you dig into Tangier Gardens, you will find a contemporary coming of age action novel about CJ (Christopher Janus), who like us is facing a broad range of distressing challenges.

CJ needs a break. He has been busting his hump full time six years at university with one more class till graduation.

He wanted just a few moments of repose before getting on with his career.

Didn’t happen. We all sadly know that story. But how did CJ deal with it? Tangier Gardens is that story.

CJ, studying landscape architecture, is into pedestrian towns and warm sandy beaches. For his last class, a term abroad design study, he’s on his way to Tangier, a town with sandy beaches on the Med and a historical pedestrian district, the medina. 

However, crossing the Strait of Gibraltar and landing in Tangier immediately upsets his planned easy observe-and-check-the-box design study. He is thrown off balance and he has to start all over from scratch–no more easy study.

With Andalusian legacies, languorous gardens, Moroccan markets and ancient medinas, Tangier Gardens brings Mediterranean life to the armchair traveler.

If you are: 

-A nature lover, into urban gardening or a landscape architecture aficionado;

-Curious about all things green–the environment, plants, gardens, landscape;

-Intrigued about the North African multi-cultural, mystical history of people and plants, then

Tangier Gardens IS A MUST.

Tangier Gardens is my debut novel in the series The Landscape Architect. Is the landscape CJ’s worst enemy or is he his own worst enemy? Can he design his way out of this conundrum? Could coming of age be more awkward?

Exotic

Nigh onto 10 years ago I had just finished 25 years building gardens and landscapes in the Arabian Sands. The Sands were my life. 

But be sure about this…the Sands are more than sand. 

To reflect the huge unknowns of the Sands, my blog banner became part of the enigma of the Sands. Exotic for a Midwestern American, you bet. But exotic is a 25cent tourism marketing adjective. The Sands are not.

Ten years have passed. I live in another exotic landscape, this time a mountain landscape. Ten years of explorations in this new landscape have enthralled me, so I am updating the blog banner.

Exotic? Borders on magic realism, neo-romanticism and eco-gothic. They are all alive and well in exotic landscapes. as are rarely predictable and always inspiring plants and gardens. Just take a walk, open your eyes and ears. Listen, feel, see, discover.

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Old banner–the sands–always an enigma–sun but no soil or water.

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New banner–the plentitude of soil and water.

Forests, Dreams and Fairytales

Forests and Dreams (1)

Have you ever been where black forests white, only to feel winter pushing at the edge, unleashing colored dreams?

These are the forests of fairytales. Forests, where blacks and whites dissolve…into the always gray, always shady dreams…or do they?

Color or gray, dreams invariably have misty, shapeshifting edges where certainty and uncertainty jostle. And the fairytales? Were they once dreams, or…?

Portals

I have talked about, that is, written about portals…portals and plants.

What do I mean when I say portals? It is more about what words can not describe. What?

Perhaps you remember some TV shows, Twilight Zone, One Step Beyond…but this is about real life. That’s right, real life.

For centuries, dare I say, millennia, people, humans have spoken about, written and explored the indescribable relationships between plants and humans. Portals is my effort to continue that chain of communication.

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This last week I had a birthday. I received from my dearest friend two books of illustrations by the Swiss, Ernst Kreidolf. Both images in this post are his work. He spent his lifetime addressing the communication relationship between people and plants.

Ernst used gnomes and elves to describe these indescribable relationships.

Let me share some of Ernst Kreidolf’s life story.

He was born over one hundred years ago in Switzerland. He was a classic artist, a pioneer of children’s illustration and picture books…and gnomes in the popular imagination! His magical illustrations have a timeless quality. To this day, his art is still very popular in Switzerland.

Ernst Kreidolf und die Pflanzen

Kreidolf’s famous books first appeared in 1901 Die schlafenden Bäume (The Sleeping Trees), in 1902 Die Wiesenzwerge (The Meadow Dwarves), and in 1903 Schwaetzchen fuer Kinder (Chit Chat for Children).  In 1904 Kreidolf was involved in Richard Dehmel’s Buntscheck, ein Sammelbuch für Kinder (Patchwork, a Scrap-book for Children).  In 1905 the book Alte Kinderreime (Old Nursery Rhymes) appeared followed by in 1908 Sommervoegel (Butterflies).  The latter was highly acclaimed by Hermann Hesse.  In 1911 Der Gartentraum (The Garden Dream) was published.

In 1920 Blumen Ritornelle (Flower Chorus), in 1922 Alpenblumenmaerchen (Alpine Flower Fairy-tales), in 1924 Ein Wintermaerchen (A Winter’s Fairy-tale), in 1926 Lenzgesind (Servants of the Spring), in 1928 Das Hundefest (The Dogs’ Party), in 1929 Bei den Gnomen und Elfen (With the Gnomes and Elves), in 1931 Grashupfer (The Grasshopper), in 1932 Aus versunk´nen Gärten (From the Sunken Gardens) and in 1935 Die Himmelreich-Wiese (The Kingdom of Heaven Meadow).

 His illustrations carry us off to the world of fairytales and dreams, where plants play a leading role.

Snognomobile

One cannot but wonder at his ability in both identifying the key characteristics of plants and giving humans a unique interaction with them.

His legacy endures as a tender ode to Mother Nature’s glory. The best illustrated web site with Kreidolf biography–a fantastic display of his water-color work.

And portals? His work was all about portals.

Jungfrau in cloud

Clouds, almost like lingerie on a quiet, sunny winter day–the level of mystery–what is really there that I can’t see? I want to see more.

Lord Byron saw it in storm and had quite a different take, documented in his poem, ‘Manfred‘.

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The view south toward the Jungfrau massif from the Interlaken region. Real estate agents might call this the million dollar view.

‘Lovers’ Caught

…something completely different…speaks for itself…

From a newspaper,

‘A livestock owner, who staked out his pen in a bid to apprehend the thief responsible for his regularly ‘disappearing’ milk, stumbled upon a couple in a compromising position instead.

Unable to pinpoint the reason his goat’s milk vanished everyday, the owner deduced it could be the handiwork of a thief. Crouched in a corner inside the pen, the owner made sure he could clearly watch the entrance and pounce on the thief when needed.

An hour later, a GMC Suburban vehicle stopped near the entrance. Stepping out of the vehicle, an Asian driver and a woman entered the pen and hastened into a room located on the far side.

Waiting awhile, the owner tiptoed towards the room expecting to catch the couple pilfering his goat’s milk. He found no thief and as he barged into the room he froze in his tracks.

Right in front of him, the couple were engaged in a sex session. Shocked to see an uninvited stranger they jumped up in surprise and tried to flee.

Refusing to budge without an explanation, the owner demanded they produce their identity cards that revealed their respective nationalities. The amorous couple further disclosed that they used his pen as a regular rendezvous for their animated meetings and also helped themselves to the available goat milk.

When the owner insisted on producing them at a police station, the woman burst into tears pleading to be forgiven. The Asian too followed suit. Not wanting to blow the issue into scandalous proportions, the owner let the couple off the hook.

*end of story*

My comment–happened in Kuwait twenty some odd years ago, when reporters just told a good story without trying to take a political position or without trying to change the world. I found the story fun to read and without heartburn. Can’t remember the last news story I’ve read this year that came without heartburn. 🙂

I did some landscape stuff while in Kuwait.

KuwaitUniversityMPFurnishings

Not far from Basra, and with a whole lot of Iranian, Iraqi and Palestinian influence.

KuwaitUniversityCentralFountainPlan

And then time passed.