International travel with all the excitement, all the intrigue—without the wheelies, without the passports, without the hassles.
Colorful Open-Air Markets
Beautiful Flowers
Entrancing Patterns
Exotic Destinations
Peaceful Courtyards
Mystical Labyrinths
Travel with us to Morocco on a quick, fun trip—Andalusian legacies, languorous gardens, ancient medinas and markets—colorful, exotic markets. These tales bring Mediterranean life to the comfortable home of the armchair traveler.
Travel with us to Morocco on a fun trip. Together we will be weaving culture with horticulture. That arcane weave is the magic connection of humans with nature.
CJ is an American, born in the Midwest, raised in New Mexico—a hard worker who found his muse in the landscape.
At university, he grew to embrace music, literature and all the fine arts with humanitarian, environmental and spiritual sensibilities.
Studying landscape architecture, CJ was into pedestrian towns and warm sandy beaches. For his last class, a term abroad design study, he was in Tangier, a town with sandy beaches on the Med and a historical pedestrian district, the medina. But CJ got more than he bargained for… and it wasn’t a good time.
And the subject of CJ’s 43 tales? …his daily life, the high points, the low points–nothing was normal–it was all curious.
On an early summer day in Gibraltar I was relaxing on a hotel terrace, shaded by wisteria, looking towards Africa, Morocco, Tangier. At a table near me, I met a grizzly old American landscape architect named Herb Striet. He talked about the geography at the Strait of Gibraltar.
Why was Striet in Gibraltar?
Striet was in Gibraltar because his old-time Lebanese friend ran the bank where Striet kept his off-shore accounts. “It’s convenient,” Striet said, “I can easily go back to my Tangier if I want.” Then the conversation got weird. I couldn’t understand. He twisted. I got twisted; but I listened.
“Heh, heh,” he said, “…if… if I want.” I didn’t really get the picture. He continued. I summarize.
All the while he had been working and living in the Arabian Peninsula, Striet said he had missed the freedom of Morocco, North Africa, the Maghreb. He had missed the accessibility of the Moroccan people. He had missed the intimate human nature of their medina public realm. He had missed life in Morocco, very real, just 100% Moroccans 100% of the time–Morocco, where daily life was not flash like the oil-countries of the Arabian Peninsula. He told me his daily public realm life in the oil-rich Middle East was awkwardly filled with contracted, sad-faced expatriate service people.
At the end, I finally understood, almost, that Striet had a love/hate thing with Morocco. So nice… but…
And all this is mellowed-out by C418’s cut “Door” on his Alpha album.
Curious Tales: The Prequel is free to read on Kindle Vella at this link: https://bit.ly/3Hv6p2p
And the story behind Curious Tales is Tangier Gardens and it is available on Amazon at this link: https://amzn.to/3HLrtyv
Curious Tales Ebook will launch 15April at a huge discount: Sign up here for details: https://bit.ly/3q5lcaq
Some of you may not have any idea about Christopher Janus, CJ, so here goes.
Who is CJ?
CJ is a contemporary designer, an American, born in the Midwest, raised in New Mexico—a hard worker who found his muse in the landscape.
At university he grew to embrace—with humanitarian, environmental and spiritual sensibilities—literature, all the fine arts and their roots in the landscape. Those humanitarian and environmental sensibilities drove his thoughts and explorations.
Underneath it all he had questions about his purpose in life. In other words, he was just like many of us.
Drawing upon his fine arts history, CJ becomes obsessed with his experiences in nature and the landscape—experiences beyond the five senses. Beyond the five senses? The paranormal? You can decide.
But what does he design?
Christopher Janus studied landscape architecture in university and graduated; but they did not teach him about landscape. He learned landscape from the hardest, most unfortunate events in his life.
CJ was studying the large scale landscape and the fine detail of plants and gardens to uncover the essence of design. He did that internationally as he worked in the strangest cultures and most exotic landscapes. Christopher Janus had adventures in and was inspired by the landscape.
You may ask what is the landscape? To which he would answer, “When we get out of bed in the morning and put our feet on the floor, we are in the landscape”. You might rightly ask again, what… my apartment, my flat, my house, my town, my city? To which CJ would simply answer, “they all sit in the landscape”.
CJ chases nature, its landscape and plants to their existential roots. He describes his interactions with cultures, landscapes, gardens and plants of the world—where the unexpected and downright strange become daily facts of life.
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Interested?
Join my email list for discounts on new releases as CJ goes deep into Cairo, Istanbul, Vienna and the Swiss Alps via this link:
I had to edit the peculiar highlights of CJ’s term abroad design study adventures in Andalusia and among the Moors. Please read the Kindle Vella–3 episodes, and don’t be surprized, at: https://amzn.to/3ZHeuHX
CJ in Andalusia, “… the Alhambra: mocarabes, muquarnas, marquetry–geometry, patterns everywhere. Here it was all about the worlds within worlds of micro inspection. Everything intertwined–micro to micro–then micro to macro–then macro to macro–then macro to micro. And at the end, I had turned in on myself.”
CJ among the Moors: “I was at sea–absolutely nothing was certain. I must be frank. I almost failed my self-directed Moroccan design study.”
Please read the Kindle Vella–3 episodes, and don’t be surprized, at: https://amzn.to/3ZHeuHX
Better still read Tangier Gardens, you can find it here:
All my books are about a young person (CJ) growing up and learning lessons that form his approach to design. CJ studied Fine Arts before majoring in Landscape Architecture. My first two books explore CJ’s experiences in northwest Africa, especially northern Morocco and Tangier where he lived during his term-abroad design study.
What do you think happens day to day with your term-abroad students? Check this out–student on the way for his term-abroad design study in Morocco, passes six days in Spain–the difference between a slide lecture and real life.
There are four distinct Berber communities in Morocco.
A weak breeze and a few late wisteria flowers prepared me to be charmed by the view of the Strait of Gibraltar the way I like it, a safe distance–a comfortable distance away from that strangely aggressive magic, that throbbing aura of Joseph Conrad’s Africa. The more I thought about it, the more I could feel that hot African breath prickling the back of my neck.
I was in Gibraltar, sitting with a man who knew his way around the Tingis region.
“But the maquis, the maquis, what about the maquis?” I asked.
“The maquis? The maquis is all that’s left. The remnants, the refuse of a great botanical richness that used to be. Old growth has been stripped. The maquis? Nothing but a few odiferous weeds. Suitable for the Interzone.”
“The what?”
“The Interzone, just as Burroughs’ wrote. But it’s real. Look at any satellite image. The Interzone is a land nobody owns–separated by the Sahara from Africa and separated by the Mediterranean from Europe. You don’t think so? One continent with towns like Timbucktu, Gran Bassam and Little Popo–another continent with towns like Rome, London and Paris. You tell me what happens where those two continents meet…the Interzone.”
“Wasn’t that some kind of 1950s fiction?”
“Didn’t you understand? It’s a real place, not a literary fantasy, but a geographic reality! Listen, in the Interzone rootlets from Africa and Europe attack and they attach. They try to suck energy from you. African rootlets suck European energy. European rootlets suck African energy. Anyone who lives there long enough becomes a crippled schizoid.”
