Tag Archives: landscape

Chalmers’ Lenses

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…can you feel me…

Arid sand, salty sand, sand blasting winds–all under this sun–all day every day–underestimate its strength at your peril.

The 1950s–World War II was over, the modern West was recovering and going forward full tilt into modern life, cities, technology, everything. Meanwhile in the Arabian Peninsula, Maha Gargash, in The Sand Fish, tells that Noora al Salmi was living a life where her people were still defending their tribe against other tribes. And that beast of a sand desert was then, a half century ago, no different than today–perilous.

Chalmers knew how essential were his broad explorations of cultural and natural landscapes on this project. He knew that without those extra facets of knowledge, his expected success could be compromised and irretrievably undermined.

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The 23 Club

Immersed in the contemporary culture of Dubai and Abu Dhabi, against the backdrop of the Empty Quarter, The 23 Club tells the inside story of how an iconic project gets built in the oil rich, Gulf region of the Arabian Peninsula.

Table of Contents

  • Desertification
  • It’s 2AM
  • Spike Lounge
  • The Walk
  • Rub Al Khali Coastal

               Chalmers’ Lenses

Despite the last minute circumstances around which Chalmers normally received requests to fix projects, he always endeavored to understand the larger landscape context of those projects. To Chalmers, this included understanding the regional geography, both natural and cultural. Knowledge imparted strength.

To broaden his understanding of the Rub Al Khali, Chalmers would vary his perceptions of a subject, through a variety of questions, then, with each question, he would consider a variety of options. He called each option, a lens–each different lens varying in its magnification. He would then sieve the varieties of information he discovered, to end up with the nuggets, the nuggets that could elevate project quality, assure project success.

For example, he asked himself, exactly where does the Rub Al Khali start and end? Do you measure it on a map of the world…a map of the Arabian Peninsula…a map of the Abu Dhabi Emirate…a map of the Abu Dhabi Municipality? Or, on a map of oral history, as told by a Liwa Oasis resident? Is it a question of natural geography, or, cultural geography? Is it a question of geographic space, or, geologic time?

Chalmers used all resources to understand the landscape, to filter information, to gain knowledge, to enrich his project. But despite all his calculated lenses and such, deep down Chalmers had a sense that this sand desert around which, over the last decades, he had built many projects–this sand desert had dimensions he could not measure.

  • Rub Al Khali Inland
  • Liwa Qsar
  • The Nursery
  • Finding Majlis
  • Library Majlis
  • Villa Majlis
  • Long and Short
  • Pilgrimage
  • Wanderweg
  • Appendix 1:  Berner Oberland Back Story
  • Author’s Notes
  • Plant List
  • Colophon

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(to be continued)

© 2015 Edward Flaherty

**Blatant Plug: If you find this writing about humans and landscape intriguing, please share it with your like-minded friends. Thank you.**

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Desertification

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Ok, here’s what I’m gonna do–over the next month, I’m gonna select a short passage out of each chapter of The 23 Club in order to give readers a feel for the landscape character of this story–a story dominated by the sand desert landscape of the Empty Quarter, known in Arabic as the Rub al Khali, and found in the southern half of the Arabian Peninsula.

This is the first short passage; and it is called, Desertification. I hope you like it.

…to desertify…

Desertification is the noun derived from the verb desertify, no? But, riddle me this–what then is desertification…when one starts with 100% desert?

Can humans be desertified?  Maybe desertification begins when a reader sees a never before imagined desert image…like the above Empty Quarter human-made oasis and desert gazelle image?

The Empty Quarter, and all other Arabian Peninsula deserts, desertify every human they touch.

Following is a short passage from Chapter 1 of The 23 Club: Desertification.

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The 23 Club

Immersed in the contemporary culture of Dubai and Abu Dhabi, against the backdrop of the Empty Quarter, The 23 Club tells the inside story of how an iconic project gets built in the oil rich, Gulf region of the Arabian Peninsula.

Table of Contents

  • Desertification

T. E. Lawrence, was once asked, 

‘What is it, Major Lawrence, that attracts you to the desert?’

‘It is clean,’ he answered. ‘I like it, because it is clean.’

Erik Chalmers is a retired American landscape architect, a retired expatriate American landscape architect, living with his wife in the Swiss Alps. He had spent most of his professional career building projects and living in an ancient and very strange part of the world. Some people call it the Middle East, others call it the Eastern Mediterranean, and others still call it Southwest Asia. Erik Chalmers called it Anatolia, and the Arabian Peninsula.

This time he had been enticed out of retirement, and was heading back to the Arabian Peninsula, once again to the Gulf Region. He buckled his seat belt on take off from the Zurich flughaven. But, something just wasn’t right about this trip. He couldn’t put his finger on it. On every previous assignment, he had always been accompanied by his wife, Madge. This time he wasn’t. And that itself bothered him.

He and Madge, both in their early 60s, had retired almost 18 months ago, in early 2008, to the Berner Oberland, above Lauterbrunnen. They enjoyed the alpine pastures, the valleys, the forests, the steep granite peaks, their glaciated shoulders and the waterfalls, the rivers and lakes. This was the place that had always been their cool, fresh air refuge–a refuge they both needed from Anatolia and the Arabian Peninsula–landscapes of stifling heat and awkward cultures–landscapes that harbored amorphous threats…unresolved queries…enigmatic auras. He had never grasped the source of that awkwardness; but he had learned to live with it. That had always been part of his work.

And Erik, he still had some of that Arabian Peninsula desert sand in his shoes. That sand had been talking to him again. And he still had the fire in his belly for another large project; but this project was taking him somewhere new. To build beautiful gardens for a five star destination resort, he had to go deep into the mysterious, shifting sand dunes of the Rub al Khali–the landscape known as the Empty Quarter.

That was the challenge put in front of him during his recent Skype session when:

Theuns van der Walt, the developer’s representative, speaking from the United Arab Emirates, pushed:

“Listen, Chalmers, I have a world class destination resort in the Empty Quarter with beautiful gardens–and I am in trouble. It’s screwed up! I need you down here! You are the best–you have to fix this for me–you have to come down here! You have to make our gardens sing!”

Erik Chalmers said:

“Theuns, understand this, I’m out of the game. I’m retired. I’ve had enough of these last minute mashups. And this project, this project…it just has too much noise.”

Theuns van der Walt, this time with mounting aggravation, pleaded:

“What do you need, Chalmers? Money, autonomy? Just tell me, I will arrange it all; but get down here now!”

After that, for Erik Chalmers, it was all one way traffic back into iconic project work in the Gulf Region–except for the sharp words from his wife, Madge. Erik could not get them out of his head. She had unloaded:

“Why do you even think about going down there again? Have you forgotten the impetuous clients? Have you forgotten the bad mannered consultants…the lying contractors?

“Have you forgotten all fresh food imported from thousands of miles away? Have you forgotten the poorly maintained refrigerated trucks…and stores?

“Have you forgotten the fraudulent labels? Have you forgotten pirated everything?”

Turning her eyes away from Erik, she paused and looked out over the Berner Oberland landscape, asking, “You’re giving this up?”

As his flight taxied out to the runway, Erik remembered it all, as if it was happening again–it had not been resolved.

She turned back to him and looked straight into his eyes, “And don’t even try to tempt me to come with you. I’ve had my fill of hole in the ground toilets…standing in urine…stool marks on doors, stool marks on floors. I have had my fill of red-spit city sidewalks and walls. I have had my fill of hot and sweaty 24/7 days…and my fill of air conditioning that just does not ever work right.

“And your health…your father started with high blood pressure medication at forty, your grandmother took high blood pressure pills all her life, why gamble again? Can I be any clearer? We’ve done our time! We’ve saved all we need. It’s done! Why, why go? Why even think about it?!!! That place drains the life right out of you!”

  • It’s 2AM
  • Spike Lounge
  • The Walk
  • Rub Al Khali Coastal
  • Rub Al Khali Inland
  • Liwa Qsar
  • The Nursery
  • Finding Majlis
  • Library Majlis
  • Villa Majlis
  • Long and Short
  • Pilgrimage
  • Wanderweg
  • Appendix 1:  Berner Oberland Back Story
  • Author’s Notes
  • Plant List
  • Colophon

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…a personal desertification…

And here is where Erik Chalmers comes face to face with his own desertification.

 

(to be continued)

© 2015 Edward Flaherty

**Blatant Plug: If you find this writing about humans and landscape intriguing, please share it with your like-minded friends. Thank you.**

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Landscape…a passion, or?

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It may be a passion trying to find fertile ground, before it takes root. But then as it takes root, a strange transition occurs–passion into obsession–the roots go wild, they travel hard and fast and far…the obsession grows…and then what?

Landscape Passion

Berner Oberland: a humid, temperate, arable soil forest that I first experienced in real life in the 1960s, and it has been a landscape destination for me every decade since.

Landscape Passion

Rub al Khali: an arid, tropical, topsoil free, sand desert that I first experienced as, if you will permit me, a mesmerizing augmented reality in David Lean’s ‘Lawrence of Arabia’. That was also in the 1960s in the London West End. It became a landscape mystery I have explored every decade since.

Throughout my professional landscape architectural career, I have over and over, walked, drove, read, smelled, heard, felt–explored the above landscapes…they live inside me–they have taken root. They are growing.

From these distinctive landscapes has emerged a landscape obsession, an infatuation that can only be satiated by giving life to landscape stories, fictional stories that derive from personal experience, stories that endeavor to explain those landscape experiences which are…beyond words.

My first landscape story is The 23 Club, and it does unbundle those two landscape images above, revealing…(to be continued)

…still felix? Hardly!

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…my tether?

Four incredible deserts–Nafud, Dahna, Nejd and the Rub al Khali. No weather reports–no GPS–no communications? No way. Still felix?

Our Western image of the Empty Quarter landscape, an image pieced together from the writings of our past, the holy books, the Greeks, the Romans, Marco Polo(1254-1324), Ibn Battuta(1304-1369), the ships docking in Genoa and Venice, the writings of Richard Francis Burton(1821-1890), Gertrude Bell(1868-1926), T.E. Lawrence(1888-1935),  Wilfred Thesiger(1910-2003), and others, continues today–even with GPS, even with 24/7 online large pipe digital coms–to be a mystery…an unknown landscape…still beckoning…still threatening.

Arabia Felix

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…enigma…

Arabia Felix…some call it the Yemen–but, why felix? Because it gets rainfall…it is happy. But it is the Empty Quarter, the Rub al Khali, the arid, tropical sand desert that is the true enigma.

There is no Arabia Felix without the Rub Al Khali.

Straddling the Tropic of Cancer and, known in English as The Empty Quarter, the world’s largest contiguous sand desert…has always been, and still is, for humans…an enigma…throughout millennia…a massive natural and cultural enigma.

Wet and Dry

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Wet and dry can describe a lot of situations in life.

the joy of wet

Wet: These snow flakes can not wait to reveal their moisture–it flows.

efficient nourishment

Dry: These dates protect their moisture–they shelter it.

Lots of ways to understand wet landscapes from dry landscapes–the landscape of the humid temperate northern slopes of the Berner Oberland from the arid tropical sands of the Rub Al Khali.

Wet is not equally distributed on the Earth’s surface. Wet and dry have to be managed. Please permit me to offer a tenuously linked digression, just for fun.

In the big picture:

Wet: water, if you just measure surface coverage, makes up 70% of the Earth’s surface or 70% wet.  Ignores the underground water table wetness.

Dry: the land surface coverage makes up 30% of the Earth’s surface or 30% dry. Includes the land permanently covered by snow and or ice.

If we generously average the area covered by a standing human, averaging babies and adults, we can say each human covers 0.5 square meter. The number of humans in the world is 7 billion, therefore humans, standing shoulder to shoulder cover much, much less than 1% of the Earth’s surface.

Is there truly a shortage of water on the planet? Plentiful water or water paucity? I wonder…if someone, in the Berner Oberland flushes the toilet with less water, will more dates grow at the edge of the Empty Quarter?

Summary of numbers:

  • 510,000,000 square kilometers=total surface of Earth
  • 350,000,000 square kilometers=wet surface of Earth
  • 160,000,000 square kilometers=dry surface of Earth
  • 2,600 square kilometers=7 billion human shoulder to shoulder surface of Earth
  • 500,000 cubic kilometers=rainfall per year on surface of Earth, or 70,000 cubic meters per human per year.
  • Each human uses an average of 200 cubic meters water per year.

Shortage? Hardly seems like there should be a shortage of wetness does there?  Am I on the edge of an enigma here? Or is ‘water shortage’ just another nuanced imperialistic push by the globalizing Western world on others…they won’t find me…I am tucked away in an enigma.

!!!Ah–but the population growth projections! Ah–but the climate change projections! Ah–but the software programs that are without fault or human error or human political influence! Ah, yes, we are sure we can control climate and weather, right?

Another glass of water, please…I know a place where the tap water is really good!

An ancient saying comes from Bharat Varsha, known these days as India–‘austerity is the wealth of the brahmanas’.

That is an intriguing concept–a lack of material possessions as a source of wealth.  It does indeed respond as a balance to the obvious excesses of material acquisition, does it not?

How do humans fit in?

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How humans fit in…

Landscape, humans, animals…how do the humans fit in? Is there a preferred way for interaction between humans and animals in the landscape? In the Berner Oberland Jungfrau Region this photo shows an autumnal parade in the village, celebrating the return of the animals from the upper alps, the upper pastures, to their home barns.

The animals are celebrated, applauded and cheered by the villagers twice a year. In the early summer when they leave the village heading up to mountain pastures and then in the fall when they return.

The animals wear decorative headdresses made by humans from pasture and woodland wild flowers and leaves.

I wonder if the energy expended by humans and animals in the landscape, combined with human attitudes of service, duty and reverence, add together to help generate a healthy feeling in the landscape–despite the avalanches, despite the rock and landslides, despite the flash floods.

Today, after seven hundred years of humans managing forests, pastures, animals, villages and themselves, this Berner Oberland Jungfrau Region landscape attracts visitors from every corner of the world to have their breath taken away by the actual beauty and the aura this landscape brings to all.

Garden Design, Horticulture and Fog

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Monochromatic: the transition from fall into winter has brought fog to the mountainsides and lakesides. Only the foreground can be seen.

Monochromatic: the transition from fall into winter has brought fog to the mountainsides and lakesides. Only the foreground can be seen.

Fog in the literature of garden design and horticulture–I have always sought clarity in textbooks and popular writing from the fields of garden design and horticulture.

But unfortunately in both fields the more I read the more finely subdivided became the material of those fields–finer and finer until I became lost in a fog.

You may just write me off as another searching for the holy grail but…I have found lessons to be learned from the larger landscape that can inform those who try their hand at horticulture and garden design.

Fog is a monochromatic filter and winter is a gray scale reality.  Both lessen the detail and the variety our eyes have to interpret.

So in my garden design, I need only water, healthy soil, light, minerals, deciduous plants and evergreens.

Or is that just the folly of a desktop gardener?

Gray Scale: lessens the detail that our eyes have to interpret.

Gray Scale: lessens the detail that our eyes have to interpret.