Railing

Railing about what?

Once upon a time…and then it was yesterday…and you are reading this today.

In a land of mountain trains–funiculars, cable cars and narrow gauge cogwheel trains. They are slow and they get you high.

Why? Why get high?

I’ll let the following photos tell the story. You will be in the Bernese Highlands of the Jungfrau Region, the northern pre-mountains, above 2,000 meters in the Swiss Alps. Why build these mechanical contraptions to get high?

Here are the trains that get you high.

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Passenger cars–note narrow gauge and cogwheel. Start at 600 meters, finish at 2,300 meters.

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Passenger cars and engine–small and strong–electric power. 

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Engine close up–attached in front of the engine is a cart for transporting goods and construction materials.

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Once you are high…the air is thin, fresh, cool and the distances…magical.

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Mountains–Eiger, Monch, Junfrau with the Mannlichen gipfel amidst the clouds in the foreground.

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Paths to explore, paths for discovering.

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Discoveries.

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Going deep in.

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Can’t get enough.

Landrace Clouds

What are landrace clouds? I made it up. Combination of words to describe the reality of cloud appearance in my neighborhood.

My neighborhood. According to the Swiss National Meteorological office, my Swiss neighborhood is the Northern Alps, the north facing slopes of the northernmost range of Alps in Switzerland. Using more common tourist and environmentally friendly vocabulary, my neighborhood is in the Jungfrau Region of the Berner Oberland around Interlaken. I live in the north-facing drainage basin of the famous Eiger, Monch and Jungfrau mountain triumvirate.

Now all that aside, over my years of walking this neighborhood, I have noticed that barely observable, minimal fluctuations in temperature, humidity, pressure and wind create quite dramatic formation and dissolution of very low level clouds. Please do not confuse them with fog. For a patient viewer, a dance reveals itself. And where there is dance, there is music. Not in astronomical time, but in real time. See it. Feel it. Hear it. 

Unmistakeable to a person on foot.

So for me, landrace clouds are very specific, locally generated occurrences. That is my starting point. That is real. Then the fiction begins. I call it fiction because of the reality that what we call ‘fixed’ or ‘settled’ science is not really fixed or settled or permanent. I like working and writing on the edge of the fixed because every edge is fuzzy and invites exploration, as do these landrace cloud phenomena.

I ask myself, what really happens at the point where a cloud begins its formation in touch with the earth? My response is a bit alchemical, a bit old school. I theorise that point as the interaction of earth, air, water…kind of special already, no? But what about ether? What happens at the moment of generation and the final moment of dissolution?

So, I go hunting in my neighborhood for generation points of landrace clouds. Following are eleven images from recent forays.

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1. Here is a generic shot of clouds in my neighborhood. Note the lake(water), the mountains(earth) and the sky(air). Note the cloud varieties.  Anybody sense the presence of ethereal?

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2. Here is a closer view showing certain cloud interactions with the earth.

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3. In this partially zoomed view, note the implied dynamics of the landrace cloud edges.

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4. In this zoomed view it is clear to see the scale of the landscape and the recently generated landrace cloud.

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5. And now the landrace cloud hunt begins–first person–on the ground–in your face.

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6. I learned the landrace cloud dynamics first hand. They always move. Their edges always change. The harder I looked, the further away they were.

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7. On another day, I learned that if I just stood still long enough, the landrace clouds came to me. But on this day no such luck.

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8. Without the opportunity to be at the point of cloud generation, I had so satisfy the walk by appreciating such details as here.

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9. Spring wild flowers in Alp pastures never cease to amaze.

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10. But as I was looking for the landrace cloud points of generation, I saw this hut at the edge of the forest.

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11. And at the peak of the roof,  protecting this hut, was…

All of the above represent a ‘typical’ walk in my neighborhood. And that is why fiction is just too close to fact. 

Can’t find my way home

…can't find my way home…

The various clouds appear, disappear, move and change at many different speeds simultaneously–and today they hid the giants of Jungfrau, Monch and Eiger–normally visible in this frame.

I am working on a story, The Orient Express, whose beginning and dénouement occur in the mountains surrounding Mürren in Switzerland.

This landscape inspires me because its very presence is mysterious–a consuming presence that forces me to interact with an elusive and overwhelming mystery…without beginning, without end…

Landscapes such as this are beyond my words.

LandArt2014 Gletscherschlucht

French LandArt2014 Entry captures from where our roots come and to where our roots go…

French LandArt2014 Entry captures from where our roots come and to where our roots go…

 

On my way to the Gletscherschlucht, between the Eiger and the Shreckhorn, I found in the forest the existing remnants of Grindelwald’s LandArt 2014.

LandArt2014 asks the artists to find their raw materials in the adjacent forest itself.  Then the art goes through the transitional cycles of time and decomposition.  Some of the 14 entries had already merged with the forest.  Others were still visible.  I liked the one above by a team from France.

Pascal Imhof has produced an HD Virtual Reality of the French entry–and from this link you can see VRs of all LandArt2014 entries.

These are the people responsible for the French LandArt 2014 Entry.

These are the people responsible for the French LandArt 2014 Entry.