CJ studied fine arts for his first two years at college. In music, literature and painting he found an enigmatic similarity. Many composers, authors and painters were inspired by nature, either the outdoors or human nature. That was clear.
It was, however, the dichotomy of the critics that confused him.
The critics’ perplexing dichotomy pitted human social nature vs the natural world, nature without humans. He wondered why the dichotomy? Were not humans part of the nature in which we all lived? Even though humans were at the top of the food chain we were still part of the chain. How can behavior, intelligence or spirit separate humans from the nature all around us?
And why have so many sought to make that ‘false’ distinction?
CJ’s own battles with this dichotomy got serious when, after deciding to major in landscape architecture, he went to North Africa, for his term abroad design study.
There he met a couple esoteric horticulturists, one Russian and the other British. They had built and were guardians of an arcane garden, the Oval Garden, behind their Hibiscus House. There they tried to educate CJ–solve his enigmatic fine arts, landscape and garden concerns.