Dubai Municipality sits in the Coastal Zone. Al Ain is an oasis in the Desert Zone. The oasis is supplied by rare monsoon remnants, from the Gulf of Oman, captured by the Hajar Mountains in the Mountain Zone.
I wanted to understand a little more about the larger landscape into which the Dubai Municipality sits. Dubai Municipality is just a narrow, but intensely built, strip along the edge of the Gulf. From the above satellite image–it is hardly visible.
The landscape transect distance from Dubai, at the Gulf coastal edge, above on the left, across to the right to the Gulf of Oman is 100km.
Many times, I drove that transect through the Dubai Emirate on a main road, identifying essentially three distinct landscape eco-zones:
A Dutch doctor, a General Practitioner, Marijcke Jongbloed, lived in the United Arab Emirates for twenty years. She surveyed, 1983-2003, the landscape of the UAE. She compiled her findings in a book entitled, The Comprehensive Guide to the Wild Flowers of the United Arab Emirates. She photographed each plant in its natural habitat, annotated a location map and commented on how the plant was used by humans (ethnobotany). Best reference I found for plants in the UAE.
Aladdin? A lamp? No, it’s the Empty Quarter and it’s full of sand and genies…No!! It’s full of djinnis and gnomes and surfs and a whole lot of people…but the humans only live along the edges, right? No, no, no…it is nothing…nothing but a mirage.
Mirage…dream, dream, dream…when I want you in my arms, when I want you and all your charms…whenever I want you, all I have to do is dream…the Empty Quarter…dream.
I visited Dubai in the early 90s for business. Then in 2006, I moved to Dubai for business–four years living and doing business in Dubai, Abu Dhabi and the Liwa Oasis.
My landscape challenge was a simple question: what is the Dubai landscape? Never found the answer. But in 2007 I put together a short series of seven figures that addressed some important landscape issues in the region.
This one addresses the population dynamic of the humans in a hemisphere that is measured by a six hour or less jet flight from Dubai. This is a Dubai-centric world hemisphere.
[youtube https://www.youtube.com/watch?v=dHTBTgcs3XY?rel=0]
Born in Lausanne in 1784, and studied in Leipzig, Gottingen and Cambridge before heading to Arabia…he was a geographer and author, best known for having re-discovered in modern times the ruins of Petra, the Nabatean city in Jordan. Burckhardt was an explorer who spent three years in Syria learning the language and ways of Arabia before beginning his journey through the sands and on to Medina and Mecca.
Burckhardt was a modest and self-effacing man whose careful accounts of his travels in Syria and Arabia are classics, and whose conversion to Islam was apparently sincere.
Before leaving Damascus, Burckhardt had tried to anticipate trouble. ‘Knowing that my intended way led through a diversity of Bedouin tribes,’ he wrote in his journal, ‘I thought it advisable to equip myself in the simplest manner. I assumed the most common Bedouin dress, took no baggage with me and mounted a mare that was not likely to excite… cupidity …’
In Jordan, near the Saudi Arabian border where the sands meet the mountain cliffs are the carved facades of Petra –remnants of Nabatean culture. Image credit to Daniel Case – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33632136
His writing covered not only the natural geography of Arabia but also deep insights into the cultural geography of the Bedouin and the Wahabis–peoples of the sands. He wrote of the Wahabis:
‘The founder of this sect is already known as a learned Arabian named Abd el Wahab who had visited various schools of the principal cities in the East, as is much the practice with his countrymen even now being convinced by what he had observed during his travels that the primitive faith of Islam or Mohammedism had become totally corrupted and obscured by abuses and that the far greater part of the people of the East and especially the Turks might be justly regarded as heretics. But new doctrines and opinions are as little acceptable in the East as they are in the West and no attention was paid to Abd el Wahab until after long wanderings in Arabia he retired with his family to Derayeh at the period when Mohammed Ibn Saoud was the principal person of the town.’
Travelling as a poor man, Burckhardt drew close to the Arab tribes, he was depending upon them. His books tell the strange stories…lessons?
‘Unfortunately in Kerak he learned that cupidity is a relative thing. For there, for the third time, he placed himself under the protection of a shaikh—the Shaikh of Kerak—and for the third time was betrayed. Although he swore on the head of his son to protect Burckhardt, the shaikh promptly robbed him of most of his funds and turned him over to a guide who made off with the rest and then abandoned him. Again he was stranded in the desert without either money or a guide.’
The difference between truth, prejudice and political correctness can only be learned by the individual. But Burckhardt’s writings from two centuries ago and the contributions from many contemporary authors frame a window of understanding for that landscape and the humans who have called that desert their home.
Is mystique the Empty Quarter landscape magnet for Western culture? If so, then how…why?
How could a place, a landscape where cultures of India and Africa have interlaced for millennia be…empty?
How can there be an Arabian Peninsula landscape virtually untouched by Islam these last 1400 Hegira years?
And before Islam, how in the Empty Quarter can there be long lost whisperings…mystical names…unwritten sagas…still emerging from those sands…
But is this Empty Quarter mystique nothing more than a moth to fire?
For me it is unimaginable how non-Muslim foreigners came in search of this landscape…a foreign land…a foreign culture…a foreign religion…a foreign language…what to speak of…NO GPS…NO TELECOM…NO WEATHER REPORTS…
Everytime I think about our ‘modern technological tethers’, the real time information resources to which we are all accustomed, I am amazed by the strength and will power of these earlier explorers…and that gives their writing all the more gravitas.
[youtube https://www.youtube.com/watch?v=Y1CT1TtGNu4?rel=0&w=640&h=360]
For a visitor not familiar with the cultures of Southwest Asia, this map is a lame short hand code for that trans-dimensional experience.
Southwest Asia is where the first time visitor, having cultural roots in Western Europe or North America, and now having both feet firmly on the ground of this unusual cultural landscape, finds, for personal consumption, placed on the table before him, a plate with four pounds of sweets that all are just too sweet…and then, from the vague mist of too much sweetness, the visitor may realize…the game is on.
The Southwest Asia background geopolitics establish the contemporary context for the large construction projects in the Arabian Peninsula region–the region in which the Empty Quarter and my landscape story, The 23 Club, take place.
[youtube https://www.youtube.com/watch?v=m4EilvxlNrE?rel=0&w=640&h=360]
Maps are fun. Maps are codes–landscape codes that blend natural and cultural geographies.
Maps and cartography…other ways of taking landscape journeys.
The Empty Quarter is the central landscape influence of my landscape story, The 23 Club.
Arabia Felix
Arabia Felix…happy? Why?
Felix is the only portion of the southern half of the Arabian Peninsula to receive regular rainfall. The tail ends of Indian sub-continent monsoon cyclones push into the mountains and valleys of the southern coast of the Arabian Peninsula.
The valleys of Yemen have fertile soil and dependable rainfall–thus, felix, Arabia Felix.
I’ve been writing a landscape story titled, The 23 Club. Above, I have summarized it in a five minute clip.
In this story an American expatriate landscape architect confronts the strange multi-cultural realities of Arabian Peninsula work. Those social peculiarities layer with the powerful presence of the Empty Quarter landscape…the Empty Quarter, an enigmatic sand desert which, alone by its very presence, negates life.
The multi-media clip opens a window on the physical geography and cultural issues that swirl about the story–the construction of an iconic five star destination resort in that oil-rich, sand desert which, until recently, had been populated only by the transient Bedu.
If you are attracted to ethnobotany or plants, gardens and landscapes and have the wonder; but you do not have the time or money to travel to the Arabian Peninsula for these, then, just be glad to be here.
Between 14-18 July 2015, on each day, I will be making a post in celebration of International Authors’ Day, featuring review of works by Kenneth Grahame, J.L. Borges and Algernon Blackwood, authors whose works have been formative inspirations for me.
These posts will be made as part of a Blog Hop as can be seen and visited through the links at the bottom of each post.
Today is 14July2015.
~~~~~~~~~~~~~~~~~~ Landscape Story–what is it?
~~~~~~~~~~~~~~~~~~
These landscape stories are classic quests–journeys. Maybe a landscape story should start with some context, some definition.
On the earth, humans see the surface and what they see is landscape. The difference between landscape and garden is that a garden is cultivated by humans, is protected by humans and is relatively safe from threats of death to humans. Whereas in the larger landscape, the threat of death, by other life forms including humans, known or unknown, may be just ‘around the corner’, or even ‘in your face’.
Myself, I always have looked at it like this from a larger historical perspective: in the beginning humans moved in the landscape–hunting and gathering, I think is the currently popular way to describe their activities. When humans found the dangers in the landscape, when they found the threat of death in the landscape too great, they built shelters–the realm of architects today, shelters.
Then humans put fences around their shelters, cultivated plants and called those outdoor areas, gardens. Gardens are places dominated by plants, places where humans offer some personal service to plants. Gardens are places relatively safe from the danger of death. In the garden, there is protection. In the garden, the intense human energy for self defense can be suspended, enabling finer instincts of humans to be accessed.
Gardens and landscapes both are essentially the environment of plants. And plants are the domain where the most dynamic interactions remain to be discovered by humans. Landscape stories explore dynamic interactions between humans and plants in gardens and landscapes.
A landscape story moves beyond furniture and setting. The plants, gardens and landscapes begin to have lives of their own…kind of like real life…and beyond. In the works of literature, arts and music, plants, gardens and landscapes have forever been the source of seemingly unlimited human inspirations. Of particularly rich inspirations for me have been works by Kenneth Grahame, by Algernon Blackwood, by J.L. Borges. Inspirations of sensual thresholds, of emotion, of intellect, of design, of beauty, of spirit, of existential uncertainty, of connecting essence, of source, of…
In The 23 Club, Erik Chalmers, a landscape architect, follows his obsession to build beautiful and captivating gardens in strange places…this time to the Empty Quarter in the Arabian Peninsula. On his way, he stops over in Bahrain and, in a kismet moment, bumps into an old friend, Jean-Claude Thibaut.
Jean-Claude Thibaut, an ethnobotanist, was born in the Belgian Congo and had built his career around exploring ‘borderline’ human cultures, Bedu, Gypsies, Berbers and their interactions with plants and landscapes. Erik finds out that Jean-Claude had recently been to the Empty Quarter to advise an Emirati on his masters thesis–a study of how people from the Liwa Oasis traditionally used plants in their extremely arid sand desert environment.
In the following 4 minute sound clip, Jean-Claude explains some of the unmappable experiences he had during his nine months driving everyday from Abu Dhabi to the Liwa Oasis, in the heart of the Empty Quarter–the very location of Erik’s new Liwa Qsar project, a five star resort destination series of courtyard gardens.
Then there is another facet to these landscape stories. They are fiction, but they use geography, history and botany to give the stories some ‘real life’ anchors, as in the following three minute clip where Erik Chalmers and Jean-Claude discuss the Spice Route over a plate of biryani at a truck stop in the middle of the ‘almost’ Empty Quarter.
Plants: how do they inspire you?
Please answer that question because on the last day of this International Authors’ Day Blog Hop, I will randomly select a winner to receive The 23 Club, Beta 6, a free giveaway for your reading enjoyment.
Between 14-18 July 2015, on each day, I will be making a post in celebration of International Authors’ Day, featuring reviews of works by Kenneth Grahame, J.L. Borges and Algernon Blackwood, authors whose works have been formative inspirations for me.
These posts will be made as part of a Blog Hop as can be seen and visited through the links at the bottom of each post.
Also at the bottom of each post please find the giveaway question:
Plants: how do they inspire you?
Please answer that question in the comments section. On the last day of this International Authors’ Day Blog Hop, I will randomly select a winner to receive The 23 Club, Beta 6, a free giveaway for your reading enjoyment
