In their homes, Moroccan families are welcoming to strangers, Western tourists, especially on the big party holidays of Eid al Seglir and Eid al Kebir.
But this party, Welcome Ramadan Party, in the Tangier Kasbah, was hosted in the riad of an American expatriate. Nobody could have guessed what was about to happen.
2 of 3 for USA readers only. No traps. No obligations. Just a short, fun, FREE read. CLICK HERE!
For decades, the word on the street in Morocco was that persons of ill repute, of all ages, were drawn to Tangier. This story is about 21st century Westerners who were drawn to Tangier.
Who likes Mediterranean gardens and landscapes? Is that a real question?
1 of 3 for USA Readers only. No traps. No obligations. Just a short, fun, FREE read. CLICK HERE!
And coming next week Vella.02. A NEW Vella story = North or northwest?
What is it?
Majoring in Landscape Architecture, CJ is in Tangier on a term abroad design study. The visit occurs at the turn of the 21st century, barely before the 9/11 disaster.
The landscape had always been CJ’s muse. But in Morocco, he did battle with it. He was confused by it. He tried to understand it. Its oriental roots ran deep across the entirety of north Africa.
But he discovered that the Moroccan landscape had equally strong roots deep into the dark heartland of west Africa. In Morocco. In the coming Vella, CJ recounts some of his northwest Africa explorations.
Okay–put up my first Vella (American college student in Tangier)–three short episodes(700wds each average)–more to come.
But that is not the whole story.
I self-published Tangier Gardens(120,000wds) via KDP select in March and after the 5 day free offer launch (50 downloads) everything has gone to sleep–deep sleep.
I had a bunch of background stories that didn’t make it into the final Tangier Gardens, so I figured to put them together on Vella.
I need some feedback from the Vella episodes. What is missing? What is disappointing? What is good?
A mountain treeline certainly is not a line in the common sense. The treeline is defined as the high elevation, climate driven limit of tree growth.
The treeline is the edge of the habitat at which trees are capable of growing. It is found at high elevations. Beyond the tree line, trees cannot tolerate the environmental conditions (usually cold temperatures, extreme snowpack, or associated lack of available moisture).
It is easy to get into the weeds discussing the geographical, botanical and topographical details of a treeline. Just look at the images above for a general idea and the graphic below for a summary.
But where does the mirror fit in?
A treeline is natural. It tells about interactions between ecotypes. And that makes me think. Is the treeline a vector or raster. Is it a thin line, a narrow path one pixel wide or is it a broad and wide line with varying gradients, blurs and opacities?
I think the latter. And looking in the mirror at treelines, I wonder…are human cultures like environmental ecotypes? Are they definable on their edges by lines? Raster or vector? Is diversity our strength…or our weakness…or is the effort to define cultural differences a non-sequitur?
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In my book, Tangier Gardens, CJ faced incredible cultural challenges.
The Tangier gardens saved that young man from the relentless, brutal challenges issued by the northwest Africa landscape. It’s an intriguing story about culture, design and humans.