In their homes, Moroccan families are welcoming to strangers, Western tourists, especially on the big party holidays of Eid al Seglir and Eid al Kebir.
But this party, Welcome Ramadan Party, in the Tangier Kasbah, was hosted in the riad of an American expatriate. Nobody could have guessed what was about to happen.
2 of 3 for USA readers only. No traps. No obligations. Just a short, fun, FREE read. CLICK HERE!
For decades, the word on the street in Morocco was that persons of ill repute, of all ages, were drawn to Tangier. This story is about 21st century Westerners who were drawn to Tangier.
Who likes Mediterranean gardens and landscapes? Is that a real question?
1 of 3 for USA Readers only. No traps. No obligations. Just a short, fun, FREE read. CLICK HERE!
And coming next week Vella.02. A NEW Vella story = North or northwest?
What is it?
Majoring in Landscape Architecture, CJ is in Tangier on a term abroad design study. The visit occurs at the turn of the 21st century, barely before the 9/11 disaster.
The landscape had always been CJ’s muse. But in Morocco, he did battle with it. He was confused by it. He tried to understand it. Its oriental roots ran deep across the entirety of north Africa.
But he discovered that the Moroccan landscape had equally strong roots deep into the dark heartland of west Africa. In Morocco. In the coming Vella, CJ recounts some of his northwest Africa explorations.
A mountain treeline certainly is not a line in the common sense. The treeline is defined as the high elevation, climate driven limit of tree growth.
The treeline is the edge of the habitat at which trees are capable of growing. It is found at high elevations. Beyond the tree line, trees cannot tolerate the environmental conditions (usually cold temperatures, extreme snowpack, or associated lack of available moisture).
It is easy to get into the weeds discussing the geographical, botanical and topographical details of a treeline. Just look at the images above for a general idea and the graphic below for a summary.
But where does the mirror fit in?
A treeline is natural. It tells about interactions between ecotypes. And that makes me think. Is the treeline a vector or raster. Is it a thin line, a narrow path one pixel wide or is it a broad and wide line with varying gradients, blurs and opacities?
I think the latter. And looking in the mirror at treelines, I wonder…are human cultures like environmental ecotypes? Are they definable on their edges by lines? Raster or vector? Is diversity our strength…or our weakness…or is the effort to define cultural differences a non-sequitur?
***
In my book, Tangier Gardens, CJ faced incredible cultural challenges.
The Tangier gardens saved that young man from the relentless, brutal challenges issued by the northwest Africa landscape. It’s an intriguing story about culture, design and humans.
I don’t go out looking for trees–but when I’m out sometimes they call me.
This year the Tilia trees’ blossoms came earlier than normal. It was my olfactory pleasure. I could not say no. The fragrance captured me. It made me smile.
An online search of Tilia spp., their floral fragrance and their teas can keep you busy a whole day. Bottom line? Tilia fragrance and perfumes, Tilia fragrance and teas…a deep and mystical appreciation by all involved. No one can describe with absolute certainty what is the amazing fragrance. So, I’ll tell a personal story.
There is a time after the glorious spring greens that a summer tedium green takes over all deciduous trees. Tedium green? That’s the summer green that makes all deciduous trees look the same. They all fade into a dark green, amorphic background.
This morning it began. Mature foliage on all deciduous trees had grown full size and darkened. It was working–each leaf a mini-plant-factory taking in the glorious sunshine and the CO2 to assure their health and ours.
Here is what I found in town. Unannounced, the nearest Tilia tree–its fragrance descended upon me. The tree was already a physical landmark. I realized it was also a sociological landmark, a local center for relaxation–soothing away anxieties. Its fragrance does that.
In other parts of town, people were climbing into the lower Tilia branches where they collected flowers. They took them home for drying to produce homemade herb tea known for its calming pleasure.
Look for your closest Tilia or lime or linden.
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When CJ went to study local landmarks in the Moroccan towns (medinas), he learned things about landscapes and gardens they didn’t teach at university. Check out Tangier Gardens for a good read.
Every farm, every pasture, often on the edge of town, in this Jungfrau region has a walnut tree, almost as ubiquitous as apple trees. That should tell you something about regional climate and history of local scale life and agriculture.
I can’t deny how much this scene enlivened me. And I can’t deny that I share that enlivenment with my character, CJ, in Tangier Gardens.
In Tangier Gardens, CJ discovers for the first time, the enlivenment emanating from plants. Unfortunately, the landscape about him, assaults him, challenges him. How do these opposing forces re-align CJ and his goals?
Not too long ago I wrote, ‘Becoming a landscape architect is like walking an unknown path in a strange forest. You know someone has walked it before, so you have some confidence. Then the path disappears. You have to make your own path and you don’t really know where you are going. You must decide—forge ahead or go back.’
In one way or another, it is something we all face…
…a real life mystery that can be solved only with the passage of time and the taking of hard decisions.
Sixty years later, not in the Casablanca of French Morocco–but in Tangier, the international heart of Morocco–we are in Tangier Gardens.
In Tangier Gardens, CJ is immersed in an enthralling saga. He is lost in a place non-different from the haunts of Claude Rains and Humphrey Bogart; and he is disoriented. To keep his appointment with destiny, he has to take some hard decisions.
That’s just one of his many challenges. In this foreign landscape, CJ finds a culture whose roots run deep into West Africa, North Africa and the Arabian Peninsula.
He wants to become a landscape architect. He has to make his own path. And the medinas? CJ, trapped in the Tangier medina, finds those labyrinthine paths full of adventure…and despair. The excitement and danger confuse what CJ had thought was a certain destiny.
Who would have thought that the only existential clarity that CJ finds in Tangier would come from the plants and gardens of eccentric British and Russian horticulturists?