Frost…can there be anything more ephemeral than frost?
…ummm…our presence on earth?
🙂 Let me try again. The humour in this reality?
Once more…the pleasure as I observed the morning frost on that wood bench in the Schynige Platte Botanical Alpine Garden? Is that better? 🙂
Sweet pleasure. Ephemeral. Always sought. Always welcomed. Always missed.
And then I stood up, took a long, slow, deep breath, and turned around…I understood.
I was born in and grew up in large cities–Detroit, Chicago and Cleveland. With that big-city-supermarket-only detachment, I still look at farm life as a Disneyland attraction. City soft hands vs farm rough hands–same mentality.
But last week I, by chance, attended an Alpabzug held in a village in the Berner Oberland, Jungfrau Region, Switzerland.
Alpabzug und Chästeilet! says with exclamatory enthusiasm, we are having a party to celebrate our cows’ return home from the Alpine summer pastures and their cheese distribution.
The Alpabzug is a village festival where the people in the village come out on the main street to a parade of cows that welcomes the cows back home after their season up in the mountains. It is a jolly time.
The parade, led by trychlers (bell-ringers) finishes on the edge of town for a day long festival where people take photos of the cows’ head-dresses, enjoy each others’ company, jodelers, traditional music, eat chäsbraetli (raclette on bread) and buy the cheese made that year on the mountain.
The parade through the village reached the festival ground where the residents gathered to appreciate the cows with a party.
Village families make close relationships with the cows.
Farmers make decorative head dresses for the cows.
Decorative craftsmanship demonstrates human respect paid to the cows.
Open-faced raclette cheese sandwiches enjoyed by more than a hundred people.
The cheese from this summer has been brought for distribution to the village residents.
Each farmer has summer cheese displayed and ready for taste testing.
This season’s cheese, muetschli, for sale at 22CHF/kg is sold alongside jellies and jams made from local fruits and berries.
I like how the production and consumption of food is an intimate part of village life. I am amazed that it is still occurring as a village event—not a tourist event.
In my idealistic interpretation, I see the people thanking the cows for the milk given to produce the cheese that will be eaten throughout the wintertime.
What is the way it is said—local food by and for local people. 🙂
No Entry…Gentiana asclepiadea
Enter At Your Own Risk…Gentiana asclepiadea
What might you find inside? Only you can know. 🙂
Your path is in front of you.
A new path on your journey. Discover what happens to you at the edges of the clouds.
Take the path. Explore. Discover. It’s free. 🙂
In between my infrequent blog entries, which always focus on humans and landscape, I am writing adventure novels, not surprisingly on humans and landscape.
As you can see from the menu bar above, I have been working on four novels over the past six years.
In preparation for updating them on my blog this fall, I have had some fun doing themed graphic design, one composite image for each of the four novels.
Themed graphics?
Yes—unique to each novel—humans interacting with the exotic geography and inspirational landscape around them, with the lightest sprinkling of ethnobotany.
I have interpreted each of the four novels below and I hope you find them enjoyable.
If so, recommend them to your like-minded friends, please.
This is the least developed adventure to date. The story revolves around a coffee house in Vienna–a place where for centuries East and West have and continue to struggle…over espresso…the text offering a brief respite.
The landscape background is the Arabian Peninsula’s Empty Quarter where surface sand patterns take us to Julian eternities and the sun takes away our sight. The botanical panel is the date palm, Phoenix canariensis providing food, utensils, environmental and architectural shelter. The human craft panel is carved stone–essential discipline. The text is the gold ring.
The Moroccan landscape background threatens with an irritating red born of never-truly-healed and always festering cultural conflict wounds–North African, Arabian, Sub-Saharan African and European–in equal measures macerating humans over millennia. The botanical panel is the fruit and foliage of the fig, Ficus carica–rare relief. The human craft shows patterns from North African Berber wool carpets–practical essentials. The text is the shelter humans take from the native and endemic forms of the plant, Cannabis sativa. The dreams are real life.
The dark green and blue landscape background is the edge of our dreams always implanted by the highland mountains, forests, lakes, rivers and streams of the Swiss Alps. The botanical panel is the gentian, Gentiana acaulis, whose blue beauty, paired with our rare good fortune, beckons human transformation. The human craft panel patterns are the lace of internal order. The text is the promise of clarity–or is it simply the hope of clarity?
Someone prepared for the journey…er…or a long trip…
…with, along the way to autumn…pearls of the woods.
And, it is never twice the same. Never.
Lived lots of years in foreign countries–foreign cultures.
Cross-cultural are experiences in which I have been face-to-face with people and behaviours I did not understand and often did not agree.
…as opposed to multi-cultural which is theory only.
In my work as a landscape architect in those foreign countries and foreign cultures, I had to build major projects. Had to reach workable agreements in difficult cross-cultural conditions. Learned so very much from so many different people.
The links below track some of my cross-cultural journeys.
They are all HD, all less than one minute long, and they are all growing from the Empty Quarter, the Rub al Khali.
Rub al Khali Enigma: the Empty Quarter in the Arabian Peninsula, what it is.
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Dreams: how to get from dreams to fiction to reality, Atlantis Dubai 2008.
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Empty Quarter: transforming cross-cultural realties, harsh environments into restful shelter, Qasr al Sarab 2010.
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A Golf Academy in the Empty Quarter?
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Locus iste–place holder is a place holder.
Edelwyss-Starnen sing the last verse of Mys Alpli. High in the Berner Oberland, an alp is a field, a pasture, a productive piece of mountain land where animals can be grazed. Thus in the background of this you can hear the bells of the sheep, goats and cows. Available at itunes.apple.com/us/artist/jodelg…rnen/id329166348
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Mid July in the Berner Oberland Jungfrau Region–it is that time of year when the highest alps receive the animals for the ‘spring’ grasses.
I met a researcher in a Stubbe last week. He was researching linkages between humans and the landscape. He shared with me the following photos of yodelers.
Yodelers in the Jungfrau Region of the Berner Oberland in Switzerland–in the yodel, a human can hear and feel the landscape.
Yodelers demonstrate their respect for the landscape in all aspects of their lives–arts, crafts–and the richness of the detail recalls the richness of their feelings for the landscape. Stewards, custodians of the landscape–that is only the beginning in the Jungfrau Region of the Berner Oberland.
He noted that these yodelers are not hired professionals or foreign workers. They are humans whose families have lived in this landscape for centuries.
He posited that there are rootlets of some strange consistency that transcend the lifetimes of humans. Those rootlets, he said, were channels through which a music travels from the landscape through the voices of the yodelers.
Each verse of a song glorifies a different aspect of the relationship between humans and the landscape. And each chorus…well…the chorus is the landscape.
…just beyond the edge of the meadow, in the dark, thick and ancient forest, is the history of everything you never wanted to know.
But fear not. Just start walking.
